Llengua planificada

Bandera de les llengües planificades, símbol de la construcció lingüística creat per subscriptors de la llista Conlang de correu electrònic, que representa la Torre de Babel sobre un sol naixent^[1]

Una llengua planificada, dissenyada, artificial o construïda^[2] és una llengua la fonologia, la gramàtica i el vocabulari de la qual han estat dissenyats de manera conscient, pensada i planificada per un individu o grup, en lloc d'haver evolucionat naturalment. Hi ha diverses raons possibles per construir una llengua: per facilitar la comunicació humana internacional (vegeu llengua auxiliar i codi), per donar a la ficció o a un món construït associat una capa addicional de realisme, per a l'experimentació lingüística, per a la creació artística o per als jocs lingüístics.

Aquest article tracta de les llengües "planificades" o "construïdes", dissenyades per a la comunicació humana. El terme llengua artificial també pot referir-se a les llengües que sorgeixen naturalment fora dels estudis experimentals en el marc de l'evolució del llenguatge artificial, implicant màquines, dins de la intel·ligència artificial.

↑ Adrian Morgan. «Conlanging and phonetics». The Outer Hoard. Fragment: «The colours represent creative energy, and the layers of the tower imply that a conlang is built piece by piece, never completed. The tower itself also alludes to the Tower of Babel, as it has long been a tradition to demonstrate a constructed language by translating the Babel legend. The Conlang flag was decided on by a vote between many competing designs, and one of my own contributions to the conlanging world is that I was the person who facilitated this election. The winning design was drawn by Christian Thalmann, who introduced the layers. The idea of including the Tower of Babel on the flag had been introduced by Jan van Steenbergen, and the idea of placing the sun on the horizon behind it by Leland Paul. The idea of having the rising sun on the flag had been introduced by David Peterson, who saw it as representing the rise of conlanging from obscurity to popularity and notoriety.»
↑ Edwards, John; McPherson, Lynn. Views of constructed languages, with special reference to esperanto: An experimental study (en anglès). University Press of America, 1997, p. 93. ISBN 0761808477.

[1] Adrian Morgan. «Conlanging and phonetics». The Outer Hoard. Fragment: «The colours represent creative energy, and the layers of the tower imply that a conlang is built piece by piece, never completed. The tower itself also alludes to the Tower of Babel, as it has long been a tradition to demonstrate a constructed language by translating the Babel legend. The Conlang flag was decided on by a vote between many competing designs, and one of my own contributions to the conlanging world is that I was the person who facilitated this election. The winning design was drawn by Christian Thalmann, who introduced the layers. The idea of including the Tower of Babel on the flag had been introduced by Jan van Steenbergen, and the idea of placing the sun on the horizon behind it by Leland Paul. The idea of having the rising sun on the flag had been introduced by David Peterson, who saw it as representing the rise of conlanging from obscurity to popularity and notoriety.»

[2] Edwards, John; McPherson, Lynn. Views of constructed languages, with special reference to esperanto: An experimental study (en anglès). University Press of America, 1997, p. 93. ISBN 0761808477.

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