Angels in America | |
---|---|
![]() | |
Written by | Tony Kushner |
Characters | Prior Walter Roy Cohn Joe Pitt Harper Pitt Hannah Pitt Louis Ironson Belize Ethel Rosenberg Homeless Woman Angel |
Date premiered | May 1991 |
Place premiered | Eureka Theatre Company San Francisco, California |
Original language | English |
Genre | Drama |
Setting | New York City, Salt Lake City, and elsewhere, 1985–1986 |
Angels in America: Perestroika | |
---|---|
Written by | Tony Kushner |
Characters | Prior Walter Roy Cohn Joe Pitt Harper Pitt Hannah Pitt Louis Ironson Belize Ethel Rosenberg Homeless Woman Angel |
Date premiered | November 8, 1992 |
Place premiered | Mark Taper Forum Los Angeles, California |
Original language | English |
Genre | Drama |
Setting | New York City, the Kremlin, heaven, and elsewhere, 1986–1990 |
Angels in America: A Gay Fantasia on National Themes is a 1991 American two-part play by American playwright Tony Kushner. The two parts of the play, Millennium Approaches and Perestroika, may be presented separately. The work won numerous awards, including the Pulitzer Prize for Drama, the Tony Award for Best Play, and the Drama Desk Award for Outstanding Play. Part one of the play premiered in 1991, followed by part two in 1992.[1][2] Its Broadway opening was in 1993.[1]
The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in the United States in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several actors. Initially and primarily focusing on one gay and one straight couple in Manhattan, the plot has several additional storylines, some of which intersect occasionally.
In 1994, playwright and professor of theater studies John M. Clum called the play "a turning point in the history of gay drama, the history of American drama, and of American literary culture".[3] It is widely described as one of the greatest plays of the 20th century and of all time.[a]
In 2003, HBO adapted Angels in America into a six-episode miniseries of the same title. In the Sunday, June 25, 2006, edition of The Record, in an article headlined “An AIDS anniversary: 25 years in the arts”, Bill Ervolino listed the miniseries among the 12 best filmed portrayals of AIDS to date.[15]
In 2017, the play received a much-acclaimed West End revival that won the Laurence Olivier Award for Best Revival in 2018. Later that year the production transferred to Broadway, where it won three Tony Awards, including Best Revival of a Play.
Unity Theatre's brilliant vindication proves that Angels in America was not only the greatest play of the 1980s - it is one of the greatest plays of the last century.
Tony Kushner's "gay fantasia," fusing the ambition, morality and underdog sympathies of earlier 20th century masters, felt not only like a great American play but like a culmination and reimagining of great American playness. It slammed a door open. That was 1993. Exactly 25 years later, the first Broadway revival of "Angels in America" started us thinking about what has happened to American plays in the meantime. Have they been as great? Is their greatness different from what it was? Is "greatness" even a meaningful category anymore?
One of the great plays of the 20th century has received a lush, uneven, thought-provoking revival.
In his seven-hour epic, Kushner (husband of EW columnist Mark Harris) grapples with gay identity in the midst of the AIDS crisis and depicts characters both straight and gay, fictional and real (including deeply closeted McCarthyist lawyer Roy Cohn).
This is, to my mind, much more than a nostalgic reexamination of one of the high points of late-20th-century theater;
It now stands as a canonical classic, probably the great American play of the late 20th century.
Both parts of Angels, Millennium Approaches and Perestroika, put gay men at the center of American politics, history, and mythology at a time when they were marginalized by the culture at large and dying in waves.
London's National Theatre declared it one of the 10 greatest plays of the century. The literary critic Harold Bloom included it in his Western Canon, one of only a handful of 20th-century plays so honored.
I'm standing here because Tony wrote one of the greatest plays of the 20th century, and it is still speaking to us as powerfully as ever in the midst of such political insanity.
Cite error: There are <ref group=lower-alpha>
tags or {{efn}}
templates on this page, but the references will not show without a {{reflist|group=lower-alpha}}
template or {{notelist}}
template (see the help page).
© MMXXIII Rich X Search. We shall prevail. All rights reserved. Rich X Search