Cuban musical theatre

Cuban musical theatre has its own distinctive style and history. From the 18th century (at least) to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the theatres, and many compositions got their first airing on the stage. In addition to staging some European operas and operettas, Cuban composers gradually developed ideas which better suited their creole audience. Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions.

Recorded music was to be the conduit for Cuban music to reach the world. The most recorded artist in Cuba up to 1925 was a singer at the Alhambra,^[1] Adolfo Colombo. Records show he recorded about 350 numbers between 1906 and 1917.^[2]

The first theatre in Havana opened in 1775, called the Coliseo, and later the Teatro Principal.^[3] The first Cuban-composed opera appeared in 1807. Theatrical music was hugely important in the 19th century^[4] and the first half of the 20th century; its significance only began to wane with the change in political and social weather in the second part of the 20th century. Radio, which began in Cuba in 1922, helped the growth of popular music because it provided publicity and a new source of income for the artists.