Deconstruction (or deconstructivism) is a fashion phenomenon of the 1980s and 1990s. It involves the use of costume forms that are based on identifying the structure of clothing - they are used as an external element of the costume. This phenomenon is associated with designers Martin Margiela, Yohji Yamamoto, Rei Kawakubo, Karl Lagerfeld, Ann Demeulemeester and Dries van Noten.[1][2] Deconstructivism in fashion is considered as part of a philosophical system formed under the influence of the works of Jacques Derrida.[3][4]
- ^ Granata F. Deconstruction and the Grotesque: Martin Margiela / Experimental Fashion: Performance Art, Carnival and the Grotesque Body. London — New York, I.B.Tauris: 2017. p. 74 — 102.
- ^ Gill A. Deconstruction Fashion: The Making of Unfinished, Decomposing and Re-Assembled Clothes // Fashion Theory: The Journal of Dress, Body & Culture. 1998. Vol. 2.1. Pp. 25.
- ^ Avtonomova N. S. Derrida and grammatology // Derrida J. On grammatology. M.: Ad Marginem, 2000. - P. 7-107.
- ^ Gill A. Jacques Derrida: fashion under erasure. / A. Rocamora & A. Smelik (Eds.), Thinking Through Fashion: A Guide to Key Theorists. London: I.B. Tauris, 2016. pp. 251—268.
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