Dziga Vertov | |
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![]() Vertov (a.k.a. David Kaufman) in 1913 | |
Born | David Abelevich Kaufman 2 January 1896 Białystok, Russian Empire |
Died | 12 February 1954 Moscow, Soviet Union | (aged 58)
Occupation(s) | Film director, cinema theorist |
Years active | 1917–1954 |
Notable work | Kino-Eye (1924) A Sixth Part of the World (1926) Man with a Movie Camera (1929) Enthusiasm (1931) |
Spouse | |
Family |
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Dziga Vertov[a][b] (born David Abelevich Kaufman;[c] 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist.[1] His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman.
In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the eighth-greatest film ever made.[2]
Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova.[3] He worked with Boris Kaufman and cinematographer Mikhail Kaufman on his most famous film Man with a Movie Camera.
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