Endgame (play)

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (May 2024) (Learn how and when to remove this message) This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (May 2024) (Learn how and when to remove this message) This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Please help improve this article by introducing more precise citations. (May 2024) (Learn how and when to remove this message) (Learn how and when to remove this message)

Endgame is an absurdist, tragicomic one-act play by Irish playwright Samuel Beckett. It is about a blind, paralyzed, domineering elderly man, his geriatric parents, and his servile companion in an abandoned house in a post-apocalyptic wasteland, who await an unspecified "end". Much of the play's content consists of terse, back and forth dialogue between the characters reminiscent of bantering, along with trivial stage actions. The plot is supplanted by the development of a grotesque story-within-a-story that the character Hamm is relating. The play's title refers to chess and frames the characters as acting out a losing battle with each other or their fate.

Originally written in French (entitled Fin de partie), the play was translated into English by Beckett himself^[1] and first performed on 3 April 1957 at the Royal Court Theatre in London in a French-language production. Written before but premiering after Waiting for Godot, it is usually considered among Beckett's most notable works. The literary critic Harold Bloom called it the most original work of literature of the 20th century, saying that "[Other dramatists of the time] have no Endgame; to find a drama of its reverberatory power, you have to return to Ibsen."^[2] Beckett considered it his masterpiece and saw it as the most aesthetically perfect, compact representation of his artistic views on human existence, and refers to it when speaking autobiographically through Krapp in Krapp's Last Tape when he mentions he had "already written the masterpiece".^{[citation needed]}.