Good Karma

Good Karma
Good Karma
Studio album by Roxette
Released	3 June 2016
Recorded	May 2014 – February 2016
Studio	Tits & Ass, Halmstad; The Aerosol Grey Machine, Scania; Vinden, Djursholm; GB17, Täby;
Genre	Electronic
Length	38:09
Label	Roxette Recordings; Parlophone;
Producer	Per Gessle; Christoffer Lundquist; Clarence Öfwerman; Addeboy vs. Cliff;
Roxette chronology
Singles from Good Karma
	"It Just Happens"; Released: 8 April 2016; "Some Other Summer"; Released: 17 June 2016; "Why Don't You Bring Me Flowers?"; Released: 4 November 2016;

Good Karma is the tenth and final studio album by Roxette, a Swedish pop rock duo consisting of Marie Fredriksson and Per Gessle. Released on 3 June 2016 by Roxette Recordings and Parlophone, it was the only album issued by the duo under an international recording contract signed with Parlophone's parent company Warner Music Group. The album was produced by Gessle alongside Christoffer Lundquist and Clarence Öfwerman, with co-production on several tracks by Addeboy vs. Cliff, among others.

Good Karma was recorded over a period of nearly two years, with its recording frequently interrupted by The Neverending World Tour. The tour ran from 2009 until the beginning of 2016, when Fredriksson was advised by her doctors to cease all touring activity due to poor health. The album is more electronic than the duo's previous releases, with Gessle saying he was inspired by the thought of not having to perform the songs live, choosing instead to focus on creating more electronic and complicated compositions.

A Sebastien Drums remix of "Some Other Summer" preceded the release of Good Karma by several months, being followed by the lead single "It Just Happens" on 8 April 2016. EPs were issued for subsequent singles "Some Other Summer" and "Why Don't You Bring Me Flowers?" on 17 June and 4 November 2016, respectively. A fan-made video for the Roxette version of "Some Other Summer" became a viral hit after it was publicised via Roxette's social media accounts. The video proved controversial in Poland, with the couple who created it receiving death threats.

The album received mostly positive reviews from music critics, with a number of them praising Gessle's songwriting and Fredriksson's vocal performance, and describing it as a fitting end to Roxette's career. However, others complained about the overtly electronic production. The album also performed well commercially, debuting at number one in the Czech Republic as well as number two in Switzerland and the duo's native Sweden, and was their highest-charting studio album since the 1990s in both Australia and the United Kingdom.