Gottuvadhyam

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Gottuvadhyam" – news · newspapers · books · scholar · JSTOR (April 2021) (Learn how and when to remove this message) This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (April 2021) (Learn how and when to remove this message) (Learn how and when to remove this message)

Chitraveena

N. Ravikiran (center) playing the navachitravina.
String instrument
Other names	gotuvadyam, chitravina, chitra veena, chitraveena
Classification	String instruments
Related instruments
Vichitra veena Sagar Veena Surbahar Rudra veena Saraswati veena Sarod Sursingar Tambura

The gotuvadyam is a 20 or 21-string fretless lute-style veena in Carnatic music from around the late 19th and early 20th centuries, named by Sakha Rama Rao^[1] from Tiruvidaimarudur, who was responsible for bringing it back to the concert scene.

It is also known as chitravina (Sanskrit: चित्रवीणा), chitra veena, chitraveena, chitra vina, hanumad vina and mahanataka vina.

Today it is played mainly in South India, though its origins can be traced back to Bharata's Natya Shastra (200 BCE-200 CE), where it is mentioned as a seven string fretless instrument. Sarangadeva (1210–47) also made a similar reference to the chitravina in his work, Sangita Ratnakara.