Back خوليو خاراميو Arabic خوليو خاراميو ARZ Julio Jaramillo AST Julio Jaramillo Aymara Хулио Харамильо Bulgarian Julio Jaramillo Breton Julio Jaramillo Catalan Julio Jaramillo German Χούλιο Χαραμίγιο Greek Julio Jaramillo Spanish
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Julio Jaramillo | |
|---|---|
 Julio Jaramillo, the Nightingale of America | |
| Background information | |
| Birth name | Julio Alfredo Jaramillo Laurido |
| Also known as | J. J. (Jota Jota)[1] El Ruiseñor de América (The Nightingale of America) |
| Born | October 1, 1935 |
| Origin | Guayaquil, Ecuador |
| Died | February 9, 1978 (aged 42) |
| Genres | pasillo, bolero, corrido, valse, tango, ranchera |
| Instrument(s) | Guitar |
| Years active | 1950–1978 |
| Labels | Ónix, Yoyo Music, Sonolux, Discos Peerless, Codiscos, ABStationRecords |
Julio Alfredo Jaramillo Laurido (October 1, 1935 – February 9, 1978) was a notable Ecuadorian singer and recording artist who performed throughout Latin America, achieving great fame for his renditions of boleros, valses, pasillos, tangos, and rancheras.[2]
Having recorded more than 2,200 songs throughout his career, his most famous song was and is "Nuestro Juramento" well known throughout all South America. He is considered to be one of the most beloved singers of Ecuador, even before Gerardo Moran, Maximo Escaleras, and many other talents.[1][3]
Jaramillo recorded with many other noteworthy Latin American artists including Puerto Rican singer, Daniel Santos; fellow Ecuadorian singer, Olimpo Cárdenas; and Colombian singer, Alci Acosta.[4]
- ^ a b Handelsman, Michael (2000). Culture and customs of Ecuador. Westport, Conn.: Greenwood Press. p. 116. ISBN 0-313-30244-8.
- ^ "Julio Jaramillo". Allmusic. Retrieved 2009-03-24.
- ^ "Biografía de Julio Jaramillo Laurido" (in Spanish). Museo de la Música Popular Guayaquileña Julio Jaramillo. Archived from the original on 2013-11-01. Retrieved 2009-03-25.
- ^ Deborah Pacini Hernandez, Deborah Pacini (1995). Bachata: A Social History of a Dominican Popular Music. Temple University Press. p. 50.
Olimpo Cárdenas.
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