Kinnara

Statue of a kinnara in The Temple of the Emerald Buddha, Bangkok (Thailand).
Kinnara statue of Lý dynasty, Vietnam

A kinnara (Sanskrit: Kiṃnara) is a creature from Hindu and Buddhist mythology.[1] They are described as part human and part bird, and have a strong association with music and love. Believed to come from the Himalayas, they often watch over the well-being of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the Adi Parva of the Mahabharata, where they say:

We are everlasting lover and beloved. We never separate. We are eternally husband and wife; never do we become mother and father. No offspring is seen in our lap. We are lover and beloved ever-embracing. In between us we do not permit any third creature demanding affection. Our life is a life of perpetual pleasures.[2]

They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a traditional symbol of feminine beauty, grace and accomplishment.

Edward H. Schafer notes that in East Asian religious art, the kinnara is often confused with the Kalaviṅka, which is also a half-human, half-bird hybrid creature, but that the two are actually distinct and unrelated.[3]

  1. ^ Rambelli, Fabio (18 October 2021). "The Sutra of Druma, King of the Kinnara and the Buddhist Philosophy of Music" (PDF). Ca' Foscari Japanese Studies. 14. doi:10.30687/978-88-6969-527-8/009. ISBN 978-88-6969-528-5.
  2. ^ Ghosh, Subodh (2005). Love stories from the Mahabharata, transl. Pradip Bhattacharya. New Delhi: Indialog. p. 71
  3. ^ Schafer, Edward H. (1963). The Golden Peaches of Samarkand: A Study of Tʻang Exotics. University of California Press. p. 103.

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