The contemplation of the nine stages of a decaying corpse is a Buddhist meditational practice in which the practitioner imagines or observes the gradual decomposition of a dead body. Along with paṭikūlamanasikāra, this type of meditation is one of the two meditations on "the foul" or "unattractive" (aśubha).[1]: 24 The nine stages later became a popular subject of Buddhist art and poetry. In Japan, images of the stages are called kusōzu (九相図, lit. 'nine-phase pictures')[1]: 24 and became related to aesthetic ideas of impermanence.[2]: 295
Early instances of the nine stages of decay can be found in the Satipaṭṭhāna Sutta,[3] (–20 BC) the "Sutra on the Samādhi Contemplation of the Oceanlike Buddha," and the "Discourse on the Great Wisdom" (Mahaprajnaparamitita-sastra) by Nagarjuna (c. 150–250 AD). The stages listed in the Mahaprajnaparamitita-sastra spread to Japan, probably through Chinese Tiantai writings including the Mohe Zhiguan of Zhiyi (438–497 AD),[4] and influenced medieval Japanese art and literature.[1]: 24
The setting for the nine stages is outdoors, where a corpse would be left exposed to decay in a field, graveyard, or charnel ground.[1]: 25 The exact stages included vary between sources.[4] The Mahaprajnaparamitita-sastra refers to the stages as the nine aśubhasaṃjñā अशुभसंज्ञा lit. 'nine horrible notions,'[5] and lists them as follows:[6][1]: 24
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