The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (). Global warming theory began to spread within the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
From the West Berlin side, Berlin Wall graffiti art in 1986. The Wall's "death strip", on the east side of the Wall, here follows the curve of the Luisenstadt Canal (filled in 1932).
The Soviet Blocpropaganda portrayed the Wall as protecting its population from "fascist elements conspiring to prevent the will of the people" from building a communist state in the GDR. The authorities officially referred to the Berlin Wall as the Anti-Fascist Protection Rampart (German: Antifaschistischer Schutzwall, pronounced[antifaˌʃɪstɪʃɐˈʃʊtsval]ⓘ). Conversely, West Berlin's city government sometimes referred to it as the "Wall of Shame", a term coined by mayor Willy Brandt in reference to the Wall's restriction on freedom of movement. Along with the separate and much longer inner German border, which demarcated the border between East and West Germany, it came to symbolize physically the Iron Curtain that separated the Western Bloc and Soviet satellite states of the Eastern Bloc during the Cold War. (Full article...)
... that Japanese actress Junko Ikeuchi was known as the "Queen of TV Dramas" from the 1960s to the 1980s?
... that Derek Jeter discusses his biracial upbringing and experiencing racism in Michigan in the 1980s and 1990s in The Captain?
... that Cathie Dunsford was unable to find many books about lesbianism in the 1970s, but by the 1980s had herself become a writer and anthologist of lesbian literature?
... that according to one reviewer, the problems that may have prompted the publication of Schooling and the Struggle for Public Life in the 1980s had "only gotten worse" by 2005?
... that in the 1980s, NBC was given several hundred million dollars' worth of incentives to stay at 30 Rockefeller Plaza?
Image 4The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 5The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 11The fall of the Berlin Wall in 1989 marked the beginning of German reunification (from Portal:1980s/General images)
Image 12Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Producer Martin Bregman acquired the film rights to the book in 1976 and hired Stone, also a Vietnam veteran, to co-write the screenplay with Kovic, who would be played by Al Pacino. When Stone optioned the book in 1978, the film adaptation became mired in development hell after Pacino and Bregman left, which resulted in him and Kovic putting the film on hold. After the release of Platoon, the project was revived at Universal Pictures, with Stone attached to direct. Shot on locations in the Philippines, Texas and Inglewood, California, principal photography took place from October 1988 to December, lasting 65 days of filming. The film went over its initial $14 million production budget and ended up costing $17.8 million after reshoots. (Full article...)
Walt Disney planned to put the story in a proposed package film containing Andersen's stories, but scrapped the project. In 1985, while working on The Great Mouse Detective (1986), Clements and Musker decided to adapt the fairy tale and proposed it to Walt Disney Studios chairman Jeffrey Katzenberg, who initially declined due to its similarities to a proposed sequel to the 1984 film Splash, but ultimately approved of it. Ashman became involved and brought in Menken. With supervision from Katzenberg, they made a Broadway-style structure with musical numbers as the staff was working on Oliver & Company (1988). Katzenberg warned that the film would earn less since it appealed to female viewers, but he eventually became convinced that it would be Disney's first blockbuster hit. (Full article...)
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The Evil Dead is a 1981 American independentsupernatural horror film written and directed by Sam Raimi (in his feature directorial debut). The film stars Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of demons and spirits. Four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Campbell, producer Robert G. Tapert, and their friends produced the 1978 short filmWithin the Woods as a proof of concept to build the interest of potential investors, which secured US$90,000 to begin work on The Evil Dead. Principal photography took place on location in a remote cabin in Morristown, Tennessee, in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensive prosthetic makeup and stop-motion effects were created by artist Tom Sullivan. The completed film had its world premiere at the Redford Theatre in Detroit on October 15, 1981, and attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which resulted in New Line Cinema acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983. (Full article...)
Aliens is a 1986 science fictionaction film written and directed by James Cameron. It is the sequel to the 1979 science fiction horror film Alien, and the second film in the Alien franchise. Set in the far future, it stars Sigourney Weaver as Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon where her crew first encountered the alien creatures, Ripley agrees to return to the site with a unit of Colonial Marines to investigate. Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn are featured in supporting roles.
Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated management changes. Although relatively inexperienced, Cameron was hired to write a story for Aliens in 1983 on the strength of his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985). The project stalled again until new Fox executive Lawrence Gordon pursued a sequel. On an approximately $18.5million budget, Aliens began principal photography in September 1985 and concluded in January 1986. Like its development, filming was tumultuous and rife with conflicts between Cameron and the British crew at Pinewood Studios. The difficult shoot affected the composer, James Horner, who was given little time to record the music. (Full article...)
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The Care Bears Movie is a 1985 animatedmusicalfantasy film directed by Arna Selznick from a screenplay by Peter Sauder. It was the second feature film from the Canadian animation studio Nelvana after the 1983 film Rock & Rule, in addition to being one of the first films based directly on a toy line and the first based on Care Bears. It introduced the Care Bears characters and their companions, the Care Bear Cousins. The voice cast includes Mickey Rooney, Georgia Engel, Jackie Burroughs and Cree Summer. In the film, an orphanage owner (Mickey Rooney) tells a story about the Care Bears, who live in a cloud-filled land called Care-a-Lot. While traveling across Earth, the Bears help two lonely children named Kim and Jason, who lost their parents in a car accident, and also save Nicholas, a young magician's apprentice, from an evil spirit's influence. Deep within a place called the Forest of Feelings, Kim, Jason and their friends soon meet another group of creatures known as the Care Bear Cousins.
American Greetings, the owners of the Care Bears characters, began development of a feature film adaptation in 1981. Later on, the card company chose Nelvana to produce it and granted them rights to the characters, in addition to financing the film along with cereal manufacturer General Mills and television syndicator LBS Communications. Nelvana's founders were producers, with fellow employee Arna Selznick directing the film. Production lasted eight months, with a production budget of at least $2 million, and took place in Canada, Taiwan, and South Korea. Carole King and John Sebastian contributed several songs for the film. Though major American film studios passed on the project, newly established independent distributor The Samuel Goldwyn Company acquired the distribution rights to the film and soon spent a record $24 million promoting it. (Full article...)
Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on Raiders of the Lost Ark, turned down the offer to write the script, Willard Huyck and Gloria Katz, who had previously worked with Lucas on American Graffiti (1973), were hired as his replacements. (Full article...)
After the criticism that Indiana Jones and the Temple of Doom (1984) had received, Spielberg chose to make a more lighthearted film for the next installment, as well as bringing back several elements from Raiders of the Lost Ark. During the five years between The Temple of Doom and The Last Crusade, he and executive producer Lucas reviewed several scripts before accepting Jeffrey Boam's. Filming locations included Spain, Italy, West Germany, Jordan, the United Kingdom, and the United States. (Full article...)
The film started as a collaboration between Henson and Froud following their previous collaboration The Dark Crystal (1982). Terry Jones of Monty Python wrote the first draft of the film's script early in 1984, drawing on Froud's sketches for inspiration. Various other scriptwriters rewrote it and added to it, including Laura Phillips, Lucas, Dennis Lee, and Elaine May—although Jones received the film's sole screenwriting credit. It was shot from April to September 1985 on location in Upper Nyack, Piermont, and Haverstraw, New York, and at Elstree Studios and West Wycombe Park in the United Kingdom. (Full article...)
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Care Bears Movie II: A New Generation is a 1986 animatedmusicalfantasy film produced by LBS Communications and Nelvana. It is the third animated feature from Nelvana and the second film based on the Care Bears franchise. It was directed by Dale Schott, written by Peter Sauder, and produced by Nelvana's three founders; Michael Hirsh, Patrick Loubert, and Clive A. Smith. It stars the voices of Alyson Court, Cree Summer, Maxine Miller and Hadley Kay. In the story, The Great Wishing Star (voiced by Chris Wiggins) tells the origins of the Care Bears and the story of their first Caring Mission. True Heart Bear and Noble Heart Horse lead the other Care Bears and Care Bear Cousins in aiding Christy, a young camper who is tempted by the evil shape-shifting Dark Heart. This is also the first appearance of the Care Bear Cubs, who also had their own line of toys.
A New Generation was made over a seven-month period at Nelvana's Toronto facilities, with additional work handled by Taiwan's Wang Film Productions, and involved several crew members who had worked on the original Care Bears Movie. Patricia Cullen served as composer, and Los Angeles musicians Dean and Carol Parks worked on the film's six songs. The Samuel Goldwyn Company, the US distributor for the first film, was originally set to release the sequel, but demands from the film's producers caused the company to give up. The worldwide distribution rights were then acquired by Columbia Pictures. (Full article...)
Both are the adaptation of Marcel Pagnol’s 1963 two-part novel The Water of the Hills. Berri’s Jean de Florette is the first adaptation of the first part, while the second had previously been filmed by Pagnol himself in 1952. The story takes place in rural Provence in the 1920s, where two local farmers plot to trick a newcomer out of his newly inherited property. The film starred three of France's most prominent actors – Gérard Depardieu, Daniel Auteuil, who won a BAFTA award for his performance, and Yves Montand in one of his last roles. (Full article...)
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic.[according to whom?] (Full article...)
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Begotten is a 1989 American experimentalsilenthorror film written, directed, and produced by E. Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial. Its unconventional narrative depicts the suicide of a godlike figure and the resulting births of Mother Earth and the Son of Earth, who set out on a journey across a barren landscape. The film does not contain dialogue, with its visual style evoking early silent films.
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