Portal:Feminism

The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for women have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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The first edition The Country Wife" (1675)
The Country Wife is a Restoration comedy from 1675 by William Wycherley. A product of the tolerant early Restoration period, the play reflects an aristocratic and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time. Even its title contains a lewd pun. Based on several plays by Molière, it turns on two indelicate plot devices: a rake's trick of pretending impotence in order to safely have clandestine affairs with married women, and the arrival in London of an inexperienced young "country wife", with her discovery of the joys of town life, especially the fascinating London men. The scandalous trick and the frank language have for much of the play's history kept it off the stage and out of print. Between 1753 and 1924, The Country Wife was considered too outrageous to be performed at all and was replaced on the stage by David Garrick's cleaned-up and bland version The Country Girl. The original play is again a stage favourite today, and is also acclaimed by academic critics, who praise its linguistic energy, sharp social satire, and openness to different interpretations.

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Lillian Gish
Lillian Gish

A portrait of Lillian Gish from 1921. Gish was one of the first female movie stars, called "The First Lady of the Silent Screen", starting in 1912 and continuing to appear in films until 1987. The American Film Institute named Gish 17th among the greatest female stars of all time and awarded her a Life Achievement Award, making her the only recipient who was a major figure in the silent era. Remarkably, she never won an Academy Award for her work, although she did receive a Special Academy Award in 1971.

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Anne of Great Britain
Anne became Queen of England, Scotland and Ireland on 8 March 1702. Anne's life was marked by many crises relating to succession to the Crown. Her Roman Catholic father, James II, had been forcefully deposed in 1688; her sister and brother-in-law then became Queen and King as Mary II and William III. The failure of Anne and of her sister to produce a child who could survive into adulthood precipitated a succession crisis, which ultimately produced the Act of Union 1707. When, on 1 May 1707, England and Scotland combined into a single Kingdom, Anne became the first Sovereign of Great Britain. Anne was the last British monarch of the House of Stuart; she was succeeded by a distant cousin, George I, of the House of Hanover. Anne's reign was also marked by the development of the two-party system. Anne personally preferred the Tory Party, but endured the Whigs. Her closest friend, and perhaps her most influential advisor, was Sarah Churchill, Duchess of Marlborough, whose husband, John Churchill, 1st Duke of Marlborough, led the English armies in the War of the Spanish Succession.

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