With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The building occupies a nearly rectangular site and has a limestone facade, which is divided horizontally into three sections. On West End Avenue and Broadway, three-story arches at the center of the facade lead to an internal courtyard with a garden, driveway, and entrances to the apartments. The Apthorp is divided into four sections, each with its own lobby, and originally had a mechanical plant in the basement. The building originally had 104 apartments, which were largely arranged as duplexes and designed in a variety of styles; the apartments had large rooms and high ceilings. By the 1940s, the building had 165 units, although some of these apartments have since been combined.
Astor announced plans for an apartment building on the site in 1901, although the project was delayed for four years due to uncertainty over the plans. Workers began clearing the site in October 1905, and the building was completed in August 1908. The Astor family operated the building for over four decades, adding storefronts in the late 1920s. Many of the units were divided during the 1930s and 1940s. The Astor family ultimately sold the building in 1950, and the building changed ownership several times through the late 20th century. The owner 390 West End Associates sold the building in 2006 to Maurice Mann, who partnered with Africa Israel Investments to convert the building into condos. After numerous delays and disagreements, the condominium-offering plan went into effect in 2010, and a subsidiary of the Feil Organization took over the building's management. Area Property Partners took over as the condo project's sponsor in 2012. (Full article...)
The 77th Street station was constructed as part of the Fourth Avenue Line, which was approved in 1905 and subsequently modified. Construction on the segment of the line that includes 77th Street started on January 24, 1913, and was completed in 1915. The station opened on January 15, 1916, as part of an extension of the BMT Fourth Avenue Line from 59th Street to 86th Street. The station's platforms were lengthened in 1926–1927 and in 1968-1970. (Full article...)
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Buczynski c. 1962
Edmund Buczynski (January 28, 1947 – March 16, 1989) was an American Wiccan and archaeologist who founded two separate traditions of Wicca: Welsh Traditionalist Witchcraft and The Minoan Brotherhood.
Born to a working-class family in New York City, Buczynski eventually embraced his homosexuality, moved to Greenwich Village, and immersed himself in the local gay scene. His relationship with Herman Slater led the two men to open The Warlock Shop, an occult supply store, in 1972. Following ordinations into various covens, Buczynski founded the Minoan Brotherhood in 1977 as a Wiccan tradition for gay and bisexual men. Buczynski was diagnosed with HIV/AIDS in 1988, and died the following year. (Full article...)
At age 26, Baker was just beginning to hit his stride as a landscape painter when he died at his father's house at Hoosick Falls, New York. The New York Times said that his death "deprived America of one of its most promising artists." (Full article...)
The park and surrounding area is named for the artillery batteries that were built in the late 17th century to protect the fort and settlement behind them. By the 1820s, the Battery had become an entertainment destination and promenade, with the conversion of Castle Clinton into a theater venue. During the mid-19th century, the modern-day Battery Park was laid out and Castle Clinton was converted into an immigration and customs center. The Battery was commonly known as the landing point for immigrants to New York City until 1892, when the immigration center was relocated to Ellis Island in the middle of the harbor. Castle Clinton (sometimes called, Castle Garden) then hosted the New York Aquarium from 1896 to 1941.
By the 20th century, the quality of Battery Park had started to decline, and several new structures were proposed within the park, many of which were not built. In 1940, the entirety of Battery Park was closed for twelve years due to the construction of the Brooklyn–Battery Tunnel and the Battery Park Underpass. The park reopened in 1952 after a renovation, but then subsequently went into decline. The Battery Conservancy, founded in 1994 by Warrie Price, underwrote and funded the restoration and improvement of the once-dilapidated park. In 2015, the Conservancy restored the park's historical name, "the Battery". (Full article...)
The entirety of I-295 was proposed in 1955 as a part of I-78. Construction started in 1957, and the highway opened in 1963 with the I-78 designation. Originally, plans called for I-78 to be extended southeastward from Holland Tunnel in Manhattan to NY 878 (Nassau Expressway) in Queens, before curving north to meet the Clearview Expressway. These plans were canceled in 1970, at which point the highway between NY 25 in Queens and I-95 in the Bronx was redesignated as I-295. I-295 was originally planned to continue further south to John F. Kennedy International Airport. The 2.5-mile (4.0 km) JFK Expressway, constructed in the 1980s, was intended to be part of I-295 but was constructed only as far north as the Belt Parkway. (Full article...)
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Sesame Workshop, Inc. (SW), originally known as the Children's Television Workshop, Inc. (CTW), is an American nonprofit organization that has been responsible for the production of several educational children's programs—including its first and best-known, Sesame Street—that have been televised internationally. Television producer Joan Ganz Cooney and foundation executive Lloyd Morrisett developed the idea to form an organization to produce Sesame Street, a television series which would help children, especially those from low-income families, prepare for school. They spent two years, from 1966 to 1968, researching, developing, and raising money for the new series. Cooney was named as the Workshop's first executive director, which was termed "one of the most important television developments of the decade."
Sesame Street premiered on National Educational Television (NET) as a series run in the United States on November 10, 1969, and moved to NET's successor, the Public Broadcasting Service (PBS), in late 1970. The Workshop was formally incorporated in 1970. Gerald S. Lesser and Edward L. Palmer were hired to perform research for the series; they were responsible for developing a system of planning, production, and evaluation, and the interaction between television producers and educators, later termed the "CTW model". The CTW applied this system to its other television series, including The Electric Company and 3-2-1 Contact. The early 1980s were a challenging period for the Workshop; difficulty finding audiences for their other productions and a series of bad investments harmed the organization until licensing agreements stabilized its revenues by 1985.
Following the success of Sesame Street, the CTW developed other activities, including unsuccessful ventures into adult programs, the publications of books and music, and international co-productions. In 1999, the CTW partnered with MTV Networks to create an educational channel called Noggin. The Workshop produced a variety of original series for Noggin, including The Upside Down Show, Sponk! and Out There. On June 5, 2000, the CTW changed its name to Sesame Workshop to better represent its activities beyond television. (Full article...)
As completed, the hotel had 600 rooms. The hotel occupies an irregular site with facades along Broadway to the west, 33rd Street to the north, and 32nd Street to the south. On all three sides, the facade is made of glazed brick, terracotta, and limestone, with balconies, cartouches, and sash windows. It is crowned by a large green mansard roof and has decorated dormer windows. Inside the hotel were various ornately decorated public rooms, including a lobby, cafe, and dining rooms at ground level; a grill room in the basement; and ballrooms on the second floor. The modern-day hotel contains two restaurants and some exhibition space.
Martin acquired land for the hotel between 1892 and 1895. The first section of the hotel on 33rd Street opened in 1898 and originally operated as an apartment hotel. The Martinique was expanded twice, in 1901–1903 and 1907–1911. Martin sold the hotel in 1919 to T. Coleman du Pont of the Greeley Square Company. Louis Markel's 56 East 59th Street Corporation acquired the hotel in 1929 and lost it to foreclosure two years later. Frank W. Kridel operated the hotel from 1939 to 1954, when he sold the building to Robert Selby and Eugene Moses. From 1973 until the end of 1988, the Martinique was a welfare hotel housing hundreds of families. The welfare hotel gained a negative reputation across the U.S. and was the setting for Jonathan Kozol's 1988 study, Rachel and Her Children: Homeless Families in America. Developer Harold Thurman leased the building from the owners in 1989, and he reopened it under a Holiday Inn franchise in October 1998. The hotel switched to the Radisson chain in 2005 and joined Hilton's Curio Collection division in 2019. After the Martinique went into foreclosure in 2020, Burnett Equities bought the hotel and reopened it in late 2021. (Full article...)
The Liberty Theatre consists of an auditorium facing 41st Street and a lobby facing 42nd Street. The facade on 42nd Street is largely hidden but was designed in the neoclassical style, similar to the neighboring New Amsterdam Theatre, designed by the same architects. The lobby from 42nd Street led to the auditorium in the rear, as well as men's and women's lounges in the basement. The auditorium, designed in the Art Nouveau style, contains two balconies cantilevered above ground-level orchestra seating. The theater has a steel frame and was designed with advanced mechanical systems for its time. The original design included depictions of the Liberty Bell and bald eagles, which have since been removed.
The Liberty opened on October 10, 1904, and in its early years hosted several hit productions, which largely consisted of comedies, dramas, or musicals. D. W. Griffith briefly screened movies at the theater in the 1910s. After Klaw and Erlanger ended their partnership in 1919, Erlanger continued to operate the theater until 1931; the Liberty was leased the next year to Max Rudnick, who presented movies and vaudeville. The Liberty hosted its last legitimate show in 1933, and the Brandt family took over the venue, operating it as a movie theater until the 1980s. The city and state governments of New York acquired the theater as part of the 42nd Street Redevelopment Project in 1990. Forest City Ratner developed an entertainment and retail complex on the site in the 1990s, but the Liberty Theatre remained largely abandoned until the early 21st century, when it became a restaurant space and event venue. (Full article...)
The Engineering Societies Building's facade is divided horizontally into three sections. The building was originally thirteen stories tall, excluding the second story, which was not visible from the facade. The lowest three stories comprise a rusticated base of limestone, including a colonnade with Doric columns. Above that is a seven-story stone midsection, followed by another loggia similar to that on the base. Inside, the building's first story contains the lobby. The second story is hidden beneath what was originally a double-tiered auditorium with 1,000 seats. The fifth and sixth stories contained several lecture rooms, and the seventh through eleventh stories contained engineering offices; the twelfth and thirteenth stories were devoted to an engineering library. Two stories were added later.
The Engineering Societies' Building was funded by Andrew Carnegie, who in 1904 offered money for a new clubhouse for New York City's various engineering societies. The Engineers' Club did not want to share a building with the other societies, so an architectural design competition was held for two clubhouse buildings. By the 1950s, the Engineering Societies' Building was becoming too small for the engineering societies' needs, and the societies sold the clubhouse in 1960. In the late 20th century, the building was used by fashion firms such as women's clothing retailer Lane Bryant and fashion designer Tommy Hilfiger. The building has been owned by Thor Equities since 2005, and it was added to the National Register of Historic Places in 2007. (Full article...)
Lohan signed with Casablanca Records and released two studio albums, the platinum-certified Speak (2004) and gold-certified A Little More Personal (Raw) (2005). She also starred in the comedies Herbie: Fully Loaded (2005) and Just My Luck (2006). To show her range, Lohan began choosing roles in independent films such as A Prairie Home Companion and Bobby (both 2006) and Chapter 27 (2007). Her reported behavior during the filming of the 2006 dramedy Georgia Rule marked the start of a series of personal struggles that plagued her life and career for most of the next decade. She became a fixture in the tabloid press for her frequent legal issues, court appearances, and stints in rehabilitation facilities. This period saw her lose several roles, adversely affecting her career and public image. In an attempt to return to acting, she appeared in Liz & Dick (2012) and The Canyons (2013).
Barracuda Lounge, or simply Barracuda, is a gay bar in the Chelsea neighborhood of Manhattan in New York City. Opened in 1995, the bar is known for its nightly drag shows. It is a sister establishment to Industry, a nightclub, and Elmo, a restaurant. Barracuda is home to "Star Search", the longest-running bar show in New York City, which began in the early 1990s and may have served as an inspiration for RuPaul's Drag Race. In the 1990s and 2000s, Barracuda was a popular celebrity hangout, and it was frequently the site of promotional events for new music and Broadway plays. While closed for much of 2020 and 2021 due to the COVID-19 pandemic, the venue underwent a major renovation. It reopened in June 2021. Critics generally praise Barracuda for its intimate, relaxed and entertainment-focused atmosphere, which was unusual at the time of its creation, and some credit this with revolutionizing the concept of gay bars. (Full article...)
The Beaumont occupies the southern and western sides of its building's first and second floors, while the library wraps above and on top of it. The main facade faces Lincoln Center's plaza and is made of glass and steel, with a travertine attic above. The main auditorium has approximately 1,080 seats across two levels, arranged in a steeply sloped semicircular layout. The Beaumont differs from traditional Broadway theaters because of its use of a flexible stage, which could be extended with a thrust stage of varying length. The layout led to complaints about inferior sightlines and acoustics in the theater's early years. The 299-seat Mitzi E. Newhouse Theater is in the basement and the 112-seat Claire Tow Theater is on the roof.
Allen donated $3 million for the theater's construction in 1958 but died before its completion. The Beaumont opened on October 21, 1965, and was originally operated by Jules Irving and Herbert Blau of the Repertory Theater of Lincoln Center, generally presenting four shows a season. The Beaumont was managed by the New York Shakespeare Festival, under the direction of Joseph Papp, from 1973 to 1977. Richmond Crinkley took over the theater for the next eight years, with the Beaumont only operating for two seasons during that time. Controversies over the Beaumont's operation, a proposed renovation, and financial difficulties led to LCT being reorganized in 1985, with Gregory Mosher and Bernard Gersten taking over as the new Director and Executive Producer. The Beaumont became much more successful and was renovated in 1996. The theater has hosted several popular productions since the late 1980s, including Anything Goes, Contact, The Light in the Piazza, South Pacific, The King and I, and My Fair Lady. (Full article...)
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View of the platform at Harlem–148th Street
The Harlem–148th Street station (also signed as 148th Street–Lenox Terminal station) is a New York City Subway station on the IRT Lenox Avenue Line in Harlem, Manhattan. It serves as the northern terminal station of the 3 train at all times as well as the Northern terminal of the IRT Lenox Avenue line. The entrance to the station is located at the intersection of 149th Street and Adam Clayton Powell Jr. Boulevard, which has historically been known as 7th Avenue. The station contains a pair of tracks and an island platform and is located at ground level (although at a lower elevation than the adjacent streets). A parking structure for the adjacent Frederick Douglass Academy is located above the station, forming a roof above the platform and tracks.
Although the Lenox Avenue Line was constructed in 1904, the Harlem–148th Street station was not part of the original line. The station was first proposed in 1940, and was opened in 1968 within the confines of the preexisting Lenox Yard. The station was intended to replace 145th Street, the next stop south, as the northern terminal of the Lenox Avenue Line. However, the 145th Street station remained open as a result of community opposition. (Full article...)
The original 950-seat theater was designed in the neoclassical style by Harry Creighton Ingalls of Ingalls & Hoffman, in conjunction with Paul R. Allen. Its facade is protected as a city landmark by the New York City Landmarks Preservation Commission. It was managed by Henry Miller along with Elizabeth Milbank Anderson and Klaw & Erlanger. After Miller's death in 1926, his son Gilbert Miller took over operation. The Miller family sold the theater in 1966 to the Nederlander Organization, who sold it in 1968 to Seymour Durst. The final musical production at the theater closed in 1969. It served as a porn theater through much of the 1970s, then operated as a discotheque called Xenon from 1978 to 1984, and subsequently operated as a nightclub under various names in the 1980s and 1990s.
Henry Miller's Theatre reopened as a Broadway house in 1998, when Roundabout staged a revival of Cabaret, during which it was advertised as the Kit Kat Klub, the musical's fictional venue. Cabaret transferred to Studio 54 later that year, and the theater briefly operated as a nightclub in 1999 and 2000. The dystopian musical Urinetown played in the venue from 2001 to 2004. Afterward, the auditorium was demolished, and the modern theater, originally retaining the Henry Miller's name, opened in 2009. The theater was renamed for American composer and lyricist Stephen Sondheim on his 80th birthday in 2010. (Full article...)
The Beaux-Arts Apartments consist of two towers on East 44th Street; number 307 is on the north sidewalk while number 310 is on the south sidewalk. The two towers are 16 stories and are faced with limestone at the base, dark brick between windows on the upper stories, and light brick between each story. The top four stories of both buildings contain numerous setbacks, which form terraces for the upper-story units. The interiors largely consist of studio apartments measuring 22 by 13 feet (6.7 by 4.0 m) on average; they are lit by large windows on the outside. The ground floor of the south building, number 310, contains a cafe.
The apartment complex was built just east of the Beaux-Arts Institute of Design, which had moved to the area in 1928. Plans for the apartment complex were announced in February 1929, with the buildings being financed by stock issues rather than mortgage loans. The buildings opened to residents in January 1930 during the Great Depression. The Beaux-Arts Apartments avoided foreclosure due to their financing arrangement and were initially popular among businesswomen. The buildings were sold to the Brodsky Organization in 1973 and the New York City Landmarks Preservation Commission designated the complex as a city landmark in 1988. (Full article...)
The station opened on May 7, 1927, as a local station named Willets Point Boulevard, with two side platforms and three tracks. It was rebuilt into the current layout of three tracks, two side platforms, and a center island platform for the 1939 New York World's Fair. The overpass to Flushing Meadows–Corona Park was rebuilt in the early 1940s. Ahead of the 1964 New York World's Fair, the original wooden platforms were replaced with more durable concrete slabs; shortly afterward, the station was renamed for the nearby Shea Stadium. After Shea Stadium was replaced by Citi Field in 2009, the station was renamed after the New York Mets baseball team, and a ramp was added to the Flushing-bound side platform. A connection to the proposed AirTrain LaGuardia people mover system was announced in 2015, but the people mover was canceled in 2023.
The station's peak use occurs during Mets games at Citi Field (and at Shea Stadium from 1964 until 2008), located on the north side of the station, and during events at the USTA National Tennis Center, on the south side. The side platform for Manhattan-bound local trains, as well as the island platform for express trains and Flushing-bound local trains, are in regular use. The side platform for Flushing-bound local trains is wheelchair-accessible but is only open during sports games and special events; the other platforms are not wheelchair-accessible. (Full article...)
A civil engineer by trade, Huston worked for Cincinnati's waterworks before forming a company of volunteer engineers in the Spanish–American War. He was commissioned as a captain, earning him the nickname "Cap". He stayed in Cuba after the war as a private contractor, rebuilding infrastructure in Cuba and earning his personal fortune. Returning to the United States, Huston partnered with Ruppert to buy the Yankees in 1915. Together, they used their wealth to acquire talented players who improved the team, including Babe Ruth.
Huston returned to the military during World War I, and was promoted to major and then to lieutenant colonel. Following a dispute, Huston sold his interests in the Yankees to Ruppert in 1923. He purchased the Butler Island Plantation, which had fallen into disrepair, and rebuilt it as a dairy and lettuce farm. Huston resided at the plantation until his death in 1938. (Full article...)
41 Park Row contains a facade of Maine granite at its lowest two stories, above which are rusticated blocks of Indiana limestone. Vertical piers on the facade highlight the building's vertical axis. The facade also contains details such as reliefs, moldings, and colonettes. When completed, the building was 13 stories and contained a mansard roof; the roof was removed as part of a later expansion that brought the building to 16 stories.
The Times constructed the previous five-story building at 41 Park Row between 1857 and 1858 as its third headquarters. That building was replaced in 1889 as a Romanesque Revival structure by George B. Post, which was erected while operations at the Times proceeded in the old quarters. 41 Park Row was the home of the Times until 1903, when it moved to One Times Square. The building was subsequently expanded by four stories between 1904 and 1905. The building was purchased by Pace University in 1951 and has been used for classrooms and offices since then. 41 Park Row was designated a New York City landmark in 1999. The building is also a contributing property to the Fulton–Nassau Historic District, a National Register of Historic Places district created in 2005. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern most point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. It is highly diverse as about 47% of its residents are foreign-born. (Full article...)
Image 16The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
Image 29Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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