Portal:Pan-Africanism

The Black Star of Africa is a black five-pointed star (★) symbolizing Africa in general and Ghana in particular. The Black Star Line, founded in 1919 by Marcus Garvey as part of the Back-to-Africa movement, modelled its name on that of the White Star Line, changing the colour from white to black to symbolise ownership by black people rather than white people. The black star became a symbol of Pan-Africanism and anti-colonialism. Described as the "Lodestar of African Freedom", the black star was used in 1957 by Theodosia Okoh in the design of the Flag of Ghana.

Frances Cress Welsing
Welsing receives Community Award at National Black LUV Festival on September 21, 2008
Born	Frances Luella Cress (1935-03-18)March 18, 1935 Chicago, Illinois, U.S.
Died	January 2, 2016(2016-01-02) (aged 80) Washington, D.C., U.S.
Alma mater	Antioch College (B.S.), Howard University (M.D.)
Occupation	Physician
Known for	The Isis Papers: The Keys to the Colors (1991)

Frances Cress Welsing (née Cress; March 18, 1935 – January 2, 2016) was an American Afrocentrist and psychiatrist. Her 1970 essay, The Cress Theory of Color-Confrontation and Racism (White Supremacy), offered her interpretation on the origins of what she described as white supremacy culture.

She was the author of The Isis Papers: The Keys to the Colors (1991). Welsing caused controversy after she said that homosexuality among African-Americans was a ploy by white males to decrease the black population.

The First Pan-African Conference was held in London from 23 to 25 July 1900 (just prior to the Paris Exhibition of 1900 "in order to allow tourists of African descent to attend both events"). Organized primarily by the Trinidadian barrister Henry Sylvester Williams, it took place in Westminster Town Hall (now Caxton Hall) and was attended by 37 delegates and about 10 other participants and observers from Africa, the West Indies, the US and the UK, including Samuel Coleridge Taylor (the youngest delegate), John Alcindor, Dadabhai Naoroji, John Archer, Henry Francis Downing, and W. E. B. Du Bois, with Bishop Alexander Walters of the AME Zion Church taking the chair. Du Bois played a leading role, drafting a letter ("Address to the Nations of the World") to European leaders appealing to them to struggle against racism, to grant colonies in Africa and the West Indies the right to self-government and demanding political and other rights for African Americans.

African-American culture, also known as Black American culture, refers to the contributions of African Americans to the culture of the United States, either as part of or distinct from mainstream American culture. The distinct identity of African-American culture is rooted in the historical experience of the African-American people, including the Middle Passage. The culture is both distinct and enormously influential on American and global worldwide culture as a whole.

African-American culture is primarily rooted in West and Central Africa. Understanding its identity within the culture of the United States it is, in the anthropological sense, conscious of its origins as largely a blend of West and Central African cultures. Although slavery greatly restricted the ability of African Americans to practice their original cultural traditions, many practices, values and beliefs survived, and over time have modified and/or blended with European cultures and other cultures such as that of Native Americans. African-American identity was established during the slavery period, producing a dynamic culture that has had and continues to have a profound impact on American culture as a whole, as well as that of the broader world.

Elaborate rituals and ceremonies were a significant part of African Americans' ancestral culture. Many West African societies traditionally believed that spirits dwelled in their surrounding nature. From this disposition, they treated their environment with mindful care. They also generally believed that a spiritual life source existed after death, and that ancestors in this spiritual realm could then mediate between the supreme creator and the living. Honor and prayer was displayed to these "ancient ones", the spirit of those past. West Africans also believed in spiritual possession.