It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
After the critical and commercial disappointment of The Final Frontier, the next film was initially planned as a prequel, with younger actors portraying the crew of the Enterprise while attending Starfleet Academy. The idea was discarded because of negative reaction from the original cast and the fans. Faced with producing a new film in time for Star Trek's 25th anniversary, director Nicholas Meyer and Denny Martin Flinn wrote a script based on a suggestion from Leonard Nimoy about what would happen if "the Wall came down in space", touching on the contemporary events of the Cold War. (Full article...)
Science fiction rarely is about scientists doing real science, in its slowness, its vagueness, the sort of tedious quality of getting out there and digging amongst rocks and then trying to convince people that what you're seeing justifies the conclusions you're making. The whole process of science is wildly under-represented in science fiction because it's not easy to write about. There are many facets of science that are almost exactly opposite of dramatic narrative. It's slow, tedious, inconclusive, it's hard to tell good guys from bad guys—it's everything that a normal hour of Star Trek is not.
The Nebula Award for Best Script was given each year by the Science Fiction and Fantasy Writers Association (SFWA) for science fiction or fantasy scripts for movies or television episodes. Awards are also given out for published literary works in the novel, novella, novelette, and short story categories. The Nebula Award for Best Script was awarded annually from 1974 through 1978, and from 2000 through 2009. It was presented under several names; in 1974, 1975, and 1977 the award was for Best Dramatic Presentation, while in 1976 the award was for Best Dramatic Writing. The award was discontinued in 2010 and replaced with Ray Bradbury Nebula Award for Outstanding Dramatic Presentation; this award was not originally a Nebula but was made one retroactively in 2019, and is presented at the Nebula Awards Ceremony and follows Nebula rules and procedures. The Nebula Awards have been described as one of "the most important of the American science fiction awards" and "the science-fiction and fantasy equivalent" of the Emmy Awards. (Full article...)
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