Portal:Speculative fiction

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Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.

It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.

Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.

In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.

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Campbell in 1956

John Wood Campbell Jr. (June 8, 1910 – July 11, 1971) was an American science fiction writer and editor. He was editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. Campbell wrote super-science space opera under his own name and stories under his primary pseudonym, Don A. Stuart. Campbell also used the pen names Karl Van Kampen and Arthur McCann. His novella Who Goes There? was adapted as the films The Thing from Another World (1951), The Thing (1982), and The Thing (2011).

Campbell began writing science fiction at age 18 while attending MIT. He published six short stories, one novel, and eight letters in the science fiction magazine Amazing Stories from 1930 to 1931. This work established Campbell's reputation as a writer of space adventure. When in 1934 he began to write stories with a different tone, he wrote as Don A. Stuart. From 1930 until 1937, Campbell was prolific and successful under both names; he stopped writing fiction shortly after he became editor of Astounding in 1937. In his capacity as an editor, Campbell published some of the very earliest work, and helped shape the careers of virtually every important science-fiction author to debut between 1938 and 1946, including Isaac Asimov, Robert A. Heinlein, Theodore Sturgeon, and Arthur C. Clarke. (Full article...)

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Carnivàle (/ˌkɑːrnɪˈvæl/) is an American television series set in the United States Dust Bowl during the Great Depression of the 1930s. The series, created by Daniel Knauf, ran for two seasons between 2003 and 2005. In tracing the lives of disparate groups of people in a traveling carnival, Knauf's story combined a bleak atmosphere with elements of the surreal in portraying struggles between good and evil and between free will and destiny. The show's mythology draws upon themes and motifs from traditional Christianity and gnosticism together with Masonic lore, particularly that of the Knights Templar order.

Carnivàle was produced by HBO and aired between September 14, 2003, and March 27, 2005. Its creator, Daniel Knauf, also served as executive producer along with Ronald D. Moore and Howard Klein. Jeff Beal composed the original incidental music. Nick Stahl and Clancy Brown starred as Ben Hawkins and Brother Justin Crowe, respectively. The show was filmed in Santa Clarita, California, and nearby Southern California locations. (Full article...)

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Kim Stanley Robinson (b. 1952), Interview, Locus (September 1997).[1]

More quotes from Wikiquote: science fiction, fantasy, alternate history

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La Catrina
La Catrina

Two Catrina figurines, approximately 38 cm (15 in) tall in the City Museum of León, Guanajuato, Mexico. Popularized by José Guadalupe Posada, the Catrina is the skeleton of an upper class woman and one of the most popular figures of the Day of the Dead celebrations, which occur across two days, on November 1–2, corresponding with the Catholic holy days of All Saints' Day and All Souls' Day. It has its origins in an Aztec festival dedicated to the goddess Mictecacihuatl, which is represented by the Catrina. (POTD)

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Thrill the World 2008 in Austin, Texas

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Baen Books (/ˈbn/) is an American publishing house for science fiction and fantasy. In science fiction, it emphasizes space opera, hard science fiction, and military science fiction. The company was established in 1983 by science fiction publisher and editor Jim Baen. After his death in 2006, he was succeeded as publisher by long-time executive editor Toni Weisskopf. (Full article...)

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Possible futures

Possible events in the future as suggested by science fiction:

  • The Committee of Public Safety seizes power in Nouveau Paris and takes control of the government in 4007.
  • In 802,701, The Time Traveller encounters a garden world and sees Humanity has divided into the meek Eloi on the surface and the subdwelling, cannibalistic Morlocks.

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