It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Lyon Sprague de Camp (/ˌspreɪɡdəˈkæmp/; November 27, 1907 – November 6, 2000) was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, both novels and works of non-fiction, including biographies of other fantasy authors. He was a major figure in science fiction in the 1930s and 1940s. (Full article...)
Sci-fi can be succinctly defined as speculation, whether based on established scientific facts or on logical pseudo-facts consistent with the framework of the fiction in question, involving smelly green pimply aliens furiously raping or eating, or both, beautiful naked bare-breasted chicks, covering them in slime, red, oozing, living slime, dribbling from every horrific orifice, squeezing out between bulbous pulpy lips onto the sensuous velvety skin of the writhing sweating slave-girls, their bodies cut and bruised by knotted whips brandished by giant blond vast-biceped androids called Simon, and written in the Gothic mode.
Ursula K. Le Guin (1929–2018) was an American author of speculative fiction, realistic fiction, non-fiction, screenplays, librettos, essays, poetry, speeches, translations, literary critiques, chapbooks, and children's fiction. She was primarily known for her works of speculative fiction. These include works set in the fictional world of Earthsea, stories in the Hainish Cycle, and standalone novels and short stories. Though frequently referred to as an author of science fiction, critics have described her work as being difficult to classify.
Le Guin came to critical attention with the publication of A Wizard of Earthsea in 1968, and The Left Hand of Darkness in 1969. The Earthsea books, of which A Wizard of Earthsea was the first, have been described as Le Guin's best work by several commentators, while scholar Charlotte Spivack described The Left Hand of Darkness as having established Le Guin's reputation as a writer of science fiction. Literary critic Harold Bloom referred to the books as Le Guin's masterpieces. Several scholars have called the Earthsea books Le Guin's best work. Her work has received intense critical attention. As of 1999, ten volumes of literary criticism and forty dissertations had been written about her work: she was referred to by scholar Donna White as a "major figure in American letters". Her awards include the National Book Award, the Newbery Medal, and multiple Hugo and Nebula Awards. Feminist critiques of her writing were particularly influential upon Le Guin's later work. (Full article...)
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