Portal:Theatre

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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Illustration of Thespis by D. H. Friston
Thespis is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. It was never published, and most of the music is now lost. However, Gilbert and Sullivan went on to become one of the most famous and successful partnerships in Victorian England, creating a string of comic opera hits, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado, that continue to be popular. Thespis premièred in London at the Gaiety Theatre on 26 December 1871. Like many productions at that theatre, it was written in a broad, burlesque style, considerably different from Gilbert and Sullivan's later works. It was a modest success—for a Christmas entertainment of the time—and closed on 8 March 1872, after a run of 63 performances. It was advertised as "An entirely original Grotesque Opera in Two Acts". The story follows an acting troupe headed by Thespis, the legendary Greek father of the drama, who temporarily trade places with the gods on Mount Olympus, who have grown elderly and ignored. The actors turn out to be comically inept rulers. Having seen the ensuing mayhem down below, the angry gods return, sending the actors back to Earth as "eminent tragedians, whom no one ever goes to see".

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Colley Cibber
Colley Cibber was an English actor-manager, playwright, and Poet Laureate. His colorful Apology for the Life of Colley Cibber (1740) started a British tradition of personal, anecdotal, and even rambling autobiography. He wrote some plays for performance by his own company at the Theatre Royal, Drury Lane, and adapted many more from various sources, receiving frequent criticism for "miserable mutilation" of dramatists like Shakespeare and Molière. He regarded himself as first and foremost an actor and had great popular success in comical fop parts. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, social and political opportunism, and shady business methods. He rose to herostratic fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad. Cibber's importance in British theatre history rests on his being the first in a long line of actor-managers, and on the value of his autobiography as a source for our knowledge of the 18th-century London stage.

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