![]() | This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: This article requires better organization and restructuring. The "Characteristics" section conflates musical conventions with influences and background history. Consider separating influences into a distinct section and clarifying key sonic and stylistic features of post-punk (e.g., rhythmic drumming, bass-driven melodies, angular guitars). The article is also overly broad in scope and could benefit from tighter focus. (June 2025) |
Post-punk | |
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Etymology | Refers to certain developments after punk, although some groups predate the movement |
Other names | New musick (early) |
Stylistic origins | |
Cultural origins | 1977; United Kingdom |
Derivative forms | |
Subgenres | |
Fusion genres | |
Regional scenes | |
Local scenes | |
Brixton, Leeds | |
Other topics | |
Post-punk (originally called new musick)[1] is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature.[2][3] These communities produced independent record labels, visual art, multimedia performances and fanzines.
The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Magazine, Joy Division, Talking Heads, the Raincoats, Gang of Four, the Cure, and the Fall.[4] The movement was closely related to the development of ancillary genres such as gothic rock, neo-psychedelia, no wave, and industrial music. By the mid-1980s, post-punk had dissipated, but it provided a foundation for the new pop movement and the later alternative and independent genres.
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