Rotoscoping

Patent drawing for Max Fleischer's original rotoscope. The artist is drawing on a transparent easel, onto which the movie projector at the right is beaming an image of a single movie frame.

Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, live-action movie images were projected onto a glass panel and traced onto paper. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer.[1] This device was eventually replaced by computers, but the process is still called rotoscoping.

In the visual effects industry, Rotoscoping refers to the technique of manually creating a matte for an element on a live-action plate so it may be composited over another background.[2][3] Chroma key is more often used to achieve the same background replacement effect, as it is faster and requires less work in post production. Rotoscoping generally provides a higher level of accuracy and may be used in conjunction with Chroma-keying. It may also be used if the subject is not in front of a green (or blue) screen, or for practical or economic reasons.

  1. ^ "The Polish-American immigrant who changed the face of animation". Little White Lies.
  2. ^ Maçek III, J.C. (August 2, 2012). "'American Pop'... Matters: Ron Thompson, the Illustrated Man Unsung". PopMatters. Archived from the original on August 24, 2013.
  3. ^ "Through a 'Scanner' dazzlingly: Sci-fi brought to graphic life" USA TODAY, August 2, 2006, Wednesday, LIFE; Pg. 4D WebLink Archived December 23, 2011, at the Wayback Machine

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