The Source

*The Source*
	Cover of November 2008 issue
Editor	Jonathan Shecter/Adario Strange/Selwyn Seyfu Hinds/Kim Osorio
Categories	Music magazine
Frequency	Monthly (1991–2013) ; 1–2 per year (post-2014)
First issue	1988
Company	The NorthStar Group
Country	United States
Based in	New York City, New York, U.S.
Language	English
Website	thesource.com
ISSN	1063-2085

The Source is an American music magazine and website specializing in hip-hop and entertainment. Founded in August 1988 by Harvard University students David Mays and Jonathan Shecter, it began as a black-and-white, one-page newspaper promoting their college radio show. Within months, it evolved into a professionally designed, full-color magazine. Dubbed "the bible of hip-hop", it primarily focused on hip-hop music and culture while also covering politics and fashion. Its music reviews held great significance in the hip-hop community, with the "five mics" rating seen as a prestigious honor and a significant achievement. The ratings often sparked heated debates among both artists and fans.

At its height in the late 1990s, The Source was the highest-selling magazine on the newsstands in the United States. It launched its own compilation album series and an award show. The 1995 Source Awards were noted for their effect on the hip-hop landscape, particularly in escalating tension between the East and West Coast hip-hop communities, which ultimately resulted in the murders of Tupac Shakur and The Notorious B.I.G.

Throughout its history, The Source was embroiled in several controversies, often leading to editor walkouts. The most publicized of these, its feud with Eminem, was among the factors that contributed to its decline. Financial struggles worsened as the launch of its website in the early 2000s resulted in significant losses, forcing David Mays to sell part of the magazine. These challenges ultimately led to the magazine's bankruptcy and shareholders firing Mays in 2006.

In 2008, the magazine was purchased by the publisher L. Londell McMillan, who successfully brought back major advertisers. However, in the 2010s, as advertising revenue declined and online publications became more dominant, McMillan was forced to downsize the team and reduce the magazine's publication frequency.