Thesmophoriazusae

Thesmophoriazusae
Kore, daughter of Demeter, celebrated with her mother by the Thesmophoriazusae (women of the festival). Acropolis Museum, Athens. The Dramatis Personae in ancient comedy depends on interpretation of textual evidence.[1] This list is based on David Barrett's translation[2]
Written by	Aristophanes
Chorus	1) Agathon's chorus 2) Women of Athens
Characters	Euripides A poet Mnesilochus, an elderly relative of Euripides Agathon another poet Cleisthenes a notorious homosexual A servant of Agathon A prytanis (magistrate) A Scythian archer (policeman) Micca ('1st woman') Myrtle vendor ('2nd woman') Critylla ('3rd woman') Herald /leader of Woman's Chorus Silent roles: Manya A maid of Micca Philista Another maid of Micca A dancing girl
Setting	1) Street outside Agathon's house 2) Forecourt of the Temple of Demeter Thesmophoros

Thesmophoriazusae (Greek: Θεσμοφοριάζουσαι; Thesmophoriazousai, lit. 'women celebrating the festival of the Thesmophoria'), or Women at the Thesmophoria (sometimes also called The Poet and the Women), is one of eleven surviving comedy plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work.^[3] It was produced in the same year as Lysistrata, another play with sexual themes.

How Thesmophoriazusae fared in the City Dionysia drama competition is unknown, but the play has been considered one of Aristophanes' most brilliant parodies of Athenian society.^[3]