Tone (literature)

French filmmakers such as Francois Truffaut (far right) have been cited as emotionally giving audiences a heightened sense of intimacy during their movies' scenes, with this psychological tone being there throughout a multitude of works.[1]

In literature, the tone of a literary work expresses the writer's attitude toward or feelings about the subject matter and audience.[2][3][4][5][6][7][8][9]

The concept of a work's tone has been argued in the academic context as involving a critique of one's innate emotions: the creator or creators of an artistic piece deliberately pushing one to rethink the emotional dimensions of one's own life due to the creator or creator's psychological intent.[1]

As the nature of commercial media and other such artistic expressions have evolved over time, the concept of a work's tone requiring analysis has been applied to other actions such as film production. For example, a study of French New Wave movement occurred during the spring of 1974 in the pages of Film Quarterly commenting upon particular directors such as Jean-Luc Godard and Francois Truffaut, noting "the passionate concern for the status of... emotional life" that "pervades the films" they'd made. Highlighting those creative figures, the journal found that the career path of such a filmmaker "treats intimacy, and its opposite, distance, in a unique way" that "focuses on the dialectic between" those contrasts as "they conjugate each other" and so the directors' social movement "uses intimacy as the dominant feeling-tone of its films" (emphasis added) thus.[1]

  1. ^ a b c Oxenhandler, Neal (Spring 1974). "The Dialectic of Emotion in New Wave Cinema". Film Quarterly. 27 (3). University of California Press: 10–19. doi:10.2307/1211354. JSTOR 1211354.
  2. ^ Baldick (2004)
  3. ^ Beckson & Ganz (1989)
  4. ^ Brownstein et al. (1992, p. 66)
  5. ^ Carey & Snodgrass (1999)
  6. ^ Hacker (1991, p. 51)
  7. ^ Holman (1975)
  8. ^ Wendy Scheir (2004). Roadmap To The California High School Exit Exam: English Language Arts. The Princeton Review. p. 56. ISBN 978-0-375-76471-4.
  9. ^ Turco (1999, p. 11)

© MMXXIII Rich X Search. We shall prevail. All rights reserved. Rich X Search