Triumph of the Will

Triumph of the Will
Triumph of the Will
	German theatrical poster
Directed by	Leni Riefenstahl
Written by	Leni Riefenstahl; Walter Ruttmann; Eberhard Taubert;
Produced by	Leni Riefenstahl
Starring	Adolf Hitler; Heinrich Himmler; Viktor Lutze; Hermann Göring; Max Amann; Martin Bormann; Walter Buch; Richard Walther Darré; Otto Dietrich; Sepp Dietrich; Hans Frank; Joseph Goebbels; Jakob Grimminger; Rudolf Hess; Reinhard Heydrich; Konstantin Hierl; Franz Hofer; Robert Ley;
Cinematography	Sepp Allgeier; Franz Weihmayr;
Edited by	Leni Riefenstahl (uncredited)
Music by	Herbert Windt
Production; company	Reichsparteitag-Film
Distributed by	UFA
Release date	28 March 1935;
Running time	114 minutes
Country	Germany
Language	German

Triumph of the Will (German: Triumph des Willens) is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters.^[1] The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.

Following its release in March 1935, it became a major example of film used as propaganda and was well-received at home. Riefenstahl's techniques—such as moving cameras, aerial photography, the use of long-focus lenses to create a distorted perspective, and the revolutionary approach to the use of music and cinematography—have earned Triumph of the Will recognition as one of the greatest propaganda films in history. It won several awards in Germany, France and Italy.^[2]

During World War II, Frank Capra's seven-film series Why We Fight was directly inspired by Triumph of the Will and the United States' response to it.^[3] In present-day Germany, the film is not censored but the courts commonly classify it as Nazi propaganda, which requires an educational context for public screenings.^[4] The film continues to influence films, documentaries and commercials to this day.^[5]

^ Barsam, Richard M (1975). Filmguide to Triumph of the Will. Bloomington, IN: Indiana University Press. p. 21.
^ Rother 2003, p. 71.
^ Hagopian, Kevin Jack. "Triumph of the Will – Film Notes". New York Writers Institute. University of Albany."When director Frank Capra was commissioned by the U.S. government to make what became the Why We Fight series of propaganda films in World War II, he screened a copy of Triumph of the Will which had been setd by the U.S. Customs office."
^ Julia Jacobs, Philipp Schepp: "Triumph des Willens". In: Thomas Hoeren, Lena Meyer: Verbotene Filme. Berlin 2007, p. 177. (In German.)
^ Hinton, David B. (1975). "Triumph of the Will: Document or Artifice?". Cinema Journal. 15 (1). University of Texas Press: 48–57. doi:10.2307/1225104. JSTOR 1225104.

[1] Barsam, Richard M (1975). Filmguide to Triumph of the Will. Bloomington, IN: Indiana University Press. p. 21.

[FOOTNOTERother200371-2] Rother 2003, p. 71.

[Triumph_of_the_Will-3] Hagopian, Kevin Jack. "Triumph of the Will – Film Notes". New York Writers Institute. University of Albany."When director Frank Capra was commissioned by the U.S. government to make what became the Why We Fight series of propaganda films in World War II, he screened a copy of Triumph of the Will which had been setd by the U.S. Customs office."

[4] Julia Jacobs, Philipp Schepp: "Triumph des Willens". In: Thomas Hoeren, Lena Meyer: Verbotene Filme. Berlin 2007, p. 177. (In German.)

[5] Hinton, David B. (1975). "Triumph of the Will: Document or Artifice?". Cinema Journal. 15 (1). University of Texas Press: 48–57. doi:10.2307/1225104. JSTOR 1225104.

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