WGA screenwriting credit system

The writing credits for the film The Last Time I Saw Paris reads: Screenplay by Julius J. & Philip G. Epstein, and Richard Brooks. Based on a story by F. Scott Fitzgerald
Writing credits for The Last Time I Saw Paris. Julius J. & Philip G. Epstein are both listed together because they wrote one or more drafts together. Richard Brooks is then listed on the line below the Epsteins because he worked on later drafts. The credits do acknowledge that the film was adapted from a story by F. Scott Fitzgerald, but they do not list that it was specifically "Babylon Revisited".

The Writers Guild of America (WGA) credit system for motion pictures and television programs covers all works under the jurisdiction of the Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW). The WGA, originally the Screen Writers Guild, has since 1941 been the final arbiter of who receives credit for writing a theatrical, television or new media motion picture written under its jurisdiction.

The system has rules on how writers should be billed during the credits. A variety of credit forms can be given to indicate technicalities such as whether a writer contributed to the original source material, the chronological order of contributors working on different drafts, or whether there were writing teams. Since its inception, writers must have contributed at least 33 percent of a final script to receive credit, and only a certain number of writers can receive credit.

A determination process for screen credits first sees the production company submit proposed credits; about a third of these are challenged and taken to arbitration. This process asks all writing parties involved to provide evidence and supporting statements to help determine how much of the final product was each writer's work. However, several of the WGA's arbitration decisions have been criticized by WGA members, including how the process handles existing source material that is adapted to the screen, or whether writers of a particular draft should still receive full credit even after all their ideas were completely tossed out in the subsequent drafts.


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