Western canon

Dante, Homer and Virgil in Raphael's Parnassus fresco (1511), key figures in the Western canon
Detail of Sappho from Raphael's Parnassus (1510–11), shown alongside other poets. In her left hand, she holds a scroll with her name written on it.
Picasso, Girl with a Mandolin (Fanny Tellier) (1910), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York

The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western hemisphere, such works that having achieved the status of classics.

Recent discussions upon the matter emphasise cultural diversity within the canon.[1] [2] The canons of music and visual arts have been broadened to encompass often overlooked periods, whilst recent media like cinema grapple with a precarious position. Criticism arises, with some viewing changes as prioritising activism over aesthetic values, often associated with Marxist critical theory, as well as postmodernism.[3] Another critique highlights a narrow interpretation of the West, dominated by British and American culture, at least under contemporary circumstances, prompting demands for a more diversified canon amongst the hemisphere.[3]

  1. ^ "SLE challenges the boundaries of the Western canon". www.stanforddaily.com. Retrieved 2024-07-24.
  2. ^ [hhttps://www.jstor.org/stable/44029759 "Review: Foundational Myths of Multiculturalism and Strategies of Canon Formation"]. www.jstor.org. Retrieved 2024-07-24.
  3. ^ a b Wilczek, Piotr (2006). "Czy istnieje kanon literatury polskiej?". In Cudak, Romuald (ed.). Literatura polska w świecie (in Polish). Wydawnictwo Gnome. pp. 13–23. ISBN 978-83-87819-05-7.

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