Cowboy Carter

Cowboy Carter
Cowboy Carter
	Digital cover
Studio album by Beyoncé
Released	March 29, 2024
Recorded	2019–2024
Studio	Los Angeles (APG, Dezert Flower, Electric Feel, Kings Landing West, Parkwood West, Record Plant, The Sound Factory, The Village, Westlake); Nashville (The Cave, East Iris, The Library); East Hampton, New York (The Trailer); Dolly P's Studio;
Genre	Country; western; country pop; Americana;
Length	78:21
Language	English, Italian
Label	Parkwood; Columbia;
Producer	070 Shake; BAH; Jon Batiste; Beyoncé; Cadenza; Cam; Miley Cyrus; D.A. Got That Dope; Derek Dixie; Dixson; Ian Fitchuk; Harry Edwards; Shawn Everett; Nathan Ferraro; Ink; Tyler Johnson; Paul McCartney; No I.D.; Nova Wav; Dave Hamelin; Killa B; Nick Kobe; Mamii; Simon Mårtensson; Pharrell Williams; Jack Ro; Raphael Saadiq; Sean Solymar; Sounwave; Swizz Beatz; The-Dream; Khirye Tyler;
Beyoncé chronology
Alternative cover
	Alternative cover on the limited edition vinyl and CDs.
Singles from Cowboy Carter
	"Texas Hold 'Em"; Released: February 11, 2024; "16 Carriages"; Released: February 11, 2024; "II Most Wanted"; Released: April 26, 2024;

Cowboy Carter (also referred to as Act II: Cowboy Carter) is the eighth studio album by American singer and songwriter Beyoncé, released on March 29, 2024, via Parkwood Entertainment and Columbia Records. A concept album, Cowboy Carter is the second of a planned trilogy of albums, following Renaissance (2022). Beyoncé conceived Cowboy Carter as a journey through a reinvention of Americana, spotlighting the overlooked contributions of Black pioneers to American musical and cultural history.

Although many have labeled it a country album, Cowboy Carter blends diverse musical genres including pop, hip hop, trap, psychedelic funk, blues, soul, rock, rock and roll, opera, "Irish" jig, and folk music. Conceptually, the album is presented as a radio broadcast by a fictitious station called "KNTRY Radio Texas", with country singers Dolly Parton, Linda Martell, and Willie Nelson acting as disc jockeys. The album's songs feature lesser-known Black country artists such as Tanner Adell, Brittney Spencer, Tiera Kennedy, Reyna Roberts, Shaboozey, and Willie Jones. The music is driven by a range of acoustic instruments played by musicians including Stevie Wonder, Paul McCartney, Nile Rodgers, Jon Batiste, Gary Clark Jr., and Rhiannon Giddens.

Cowboy Carter was met with universal acclaim upon release; critics felt that the album's genre experimentation, expansive scope, and eclectic references aided an ambitious reimagining of Americana and country through the lens of their Black roots. The album ignited discussions on Black musicians' place within country music, boosted the listenership of Black country artists and country radio in general, and increased the popularity of Western wear and culture.

Cowboy Carter debuted at number one in several countries, including Australia, Canada, France, Germany, the Netherlands, and the United Kingdom, and broke several chart and streaming records. In the United States, Cowboy Carter became Beyoncé's eighth consecutive number-one album on the Billboard 200 and the first album by a black woman to top the Top Country Albums chart. Two co-lead singles — "Texas Hold 'Em" and "16 Carriages" — supported the album, with the former becoming Beyoncé's ninth number one single in the United States and the first country song by a Black woman to top the Billboard Hot 100 and Hot Country Songs charts. The Miley Cyrus-duet, "II Most Wanted", was released as the third single.

^ Price, Joe (March 22, 2024). ""16 Carriages" Producer Breaks Down the Difference Between Working on 'Renaissance' and 'Cowboy Carter'". Complex. Archived from the original on March 22, 2024. Retrieved March 23, 2024.
^ Cite error: The named reference pitchfork1 was invoked but never defined (see the help page).
^ ^a ^b Williams, Yasmin (April 2, 2024). "Beyoncé's country album drowns out the Black music history it claims to celebrate". The Guardian. Archived from the original on April 4, 2024. Retrieved April 4, 2024.
^ Hodgkinson, Will (March 28, 2024). "Beyoncé: Cowboy Carter review — a slick and starry western epic". The Times. Archived from the original on March 28, 2024. Retrieved March 28, 2024.
^ Savage, Mark (March 28, 2024). "Beyoncé's Cowboy Carter: The verdict – is it Yeehaw or No Ma'am?". BBC. Archived from the original on April 4, 2024. Retrieved April 4, 2024.
^ Cite error: The named reference Pitchfork was invoked but never defined (see the help page).
^ Cite error: The named reference Slant was invoked but never defined (see the help page).
^ Cite error: The named reference :63 was invoked but never defined (see the help page).

[prod-1] Price, Joe (March 22, 2024). ""16 Carriages" Producer Breaks Down the Difference Between Working on 'Renaissance' and 'Cowboy Carter'". Complex. Archived from the original on March 22, 2024. Retrieved March 23, 2024.

[pitchfork1-2] Cite error: The named reference pitchfork1 was invoked but never defined (see the help page).

[Williams-3] Williams, Yasmin (April 2, 2024). "Beyoncé's country album drowns out the Black music history it claims to celebrate". The Guardian. Archived from the original on April 4, 2024. Retrieved April 4, 2024.

[thetimes-4] Hodgkinson, Will (March 28, 2024). "Beyoncé: Cowboy Carter review — a slick and starry western epic". The Times. Archived from the original on March 28, 2024. Retrieved March 28, 2024.

[5] Savage, Mark (March 28, 2024). "Beyoncé's Cowboy Carter: The verdict – is it Yeehaw or No Ma'am?". BBC. Archived from the original on April 4, 2024. Retrieved April 4, 2024.

[Pitchfork-6] Cite error: The named reference Pitchfork was invoked but never defined (see the help page).

[Slant-7] Cite error: The named reference Slant was invoked but never defined (see the help page).

[:63-8] Cite error: The named reference :63 was invoked but never defined (see the help page).

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