Purgatorio

Purgatorio

A page of the Purgatorio at the Laurentian Library
Author	Dante Alighieri
Country	Italy
Language	Italian
Series	Divine Comedy
Genre	narrative poem
Publication date	c. 1321
Text	Purgatorio at Wikisource

Part of a series on
Christian mysticism
Theology and philosophy Apophatic Ascetical Cataphatic Catholic spirituality Hellenistic Mystical theology Neoplatonic Henosis
Practices Monasticism Monasticism Asceticism Spiritual direction Meditation Meditation Lectio Divina Invoking of Mystic Saints Active asceticism Contemplation Hesychasm Jesus Prayer Quietism Stages of Christian perfection Hesychia Divinization Catharsis Theosis Kenosis Spiritual dryness Religious ecstasy Passive asceticism Abstinence Esoteric Charismatic Esoteric
People (by era or century) Antiquity Ancient African Origen Thomasines Gregory of Nyssa Pseudo-Dionysius Desert Fathers Paul of Thebes Anthony the Great Arsenius the Great Poemen Macarius of Egypt Moses the Black Syncletica Athanasius John Chrysostom Hilarion John Cassian 11th · 12th Bernard of Clairvaux Guigo II Hildegard of Bingen Symeon the New Theologian 13th · 14th Dominican Dominic de Guzmán Franciscan Francis of Assisi Anthony of Padua Bonaventure Jacopone da Todi Angela of Foligno English Richard Rolle Walter Hilton Julian of Norwich Margery Kempe Flemish Beatrice of Nazareth Lutgardis Hadewijch John van Ruysbroeck German Meister Eckhart Johannes Tauler Henry Suso Female Beatrice of Nazareth Bridget of Sweden Catherine of Siena Mechthild of Magdeburg Marguerite Porete 15th · 16th Spanish Ignatius of Loyola Francisco de Osuna John of Ávila Teresa of Ávila John of the Cross Others Catherine of Genoa 17th · 18th French Margaret Mary Alacoque Pierre de Bérulle Jean-Jacques Olier Louis de Montfort Charles de Condren John Eudes John of St. Samson Others Mary of Jesus of Ágreda Anne Catherine Emmerich Veronica Giuliani Francis de Sales 19th Dina Bélanger Catherine Labouré Mélanie Calvat Maximin Giraud Bernadette Soubirous Conchita de Armida Luisa Piccarreta Mary of the Divine Heart Thérèse of Lisieux Gemma Galgani 20th Padre Pio Therese Neumann Marthe Robin Alexandrina of Balazar Faustina Kowalska Sister Lúcia of Fátima Edgar Cayce Simone Weil Alfred Delp Thomas Merton Charles de Foucauld Edvige Carboni Elena Aiello Contemporary papal views Aspects of meditation (Orationis Formas, 1989) Reflection on the New Age (2003)
Literature and media Lingua ignota Ordo Virtutum Scivias Ascent of Mount Carmel Dark Night of the Soul Spiritual Canticle Way of Perfection Book of the First Monks The Interior Castle Abbey of the Holy Ghost A Dialogue of Comfort against Tribulation From Willow Creek to Sacred Heart The Glories of Mary The Imitation of Christ The Ladder of Divine Ascent Philokalia Revelations of Divine Love The Story of a Soul Theologia Germanica Devotio Moderna Fatima in Lucia's Own Words Calls from the Message of Fatima The Miracle of Our Lady of Fatima Sol de Fátima The Cloud of Unknowing On the Consolation of Philosophy The Mirror of Simple Souls Sister Catherine Treatise Tractatus de Purgatorio Sancti Patricii The Vision of Adamnán Divine Comedy Inferno Purgatorio Paradiso Fatima
v t e

Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil – except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life.^[1] In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.