Adelle Lutz

Adelle Lutz
Born (1948-11-13) November 13, 1948 (age 75)
Known forInstallation art, performance art, sculpture, costume design
Spouse
(m. 1987; div. 2004)
Children1
RelativesTina Chow (sister)
China Chow (niece)

Adelle Lutz (born November 13, 1948) is an American artist, designer and actress, most known for work using unconventional materials and strategies to explore clothing as a communicative medium.[1][2][3] She first gained attention for the surreal "Urban Camouflage" costumes featured in David Byrne's film True Stories (1986).[4][5][6][7][8]

She has designed costumes for film director Susan Seidelman,[9] theater directors Robert Wilson and JoAnne Akalaitis, and musicians including Byrne, Bono and Michael Stipe.[10][2] In the 1990s, she began to shift from costume to sculpture, installation art and eventually, performance. Lutz's art and design have been exhibited at the Metropolitan Museum of Art and Fashion Institute of Technology (FIT)[11] (New York), the Victoria and Albert Museum and Barbican Art Centre (London), the Montreal Museum of Decorative Arts and the Rock and Roll Hall of Fame (Cleveland), among many venues.[12][10][13][14] In 2002, the Judith Clark Costume Gallery in London presented a career survey.[15]

Her work has also been featured in The New York Times,[16] Harper's Magazine,[17] Newsweek,[4] Village Voice,[18] Vanity Fair[19] and Paper[20] and in books on fashion, costume and public art, including Fashion and Surrealism (1987),[21] Designed for Delight (1997),[22] Twenty Years of Style: The World According to Paper (2004),[23] and Because Dreaming is Best Done in Public: Creative Time in Public Spaces (2012).[24] Her work Ponytail Boot (2002) is part of the Metropolitan Museum of Art collection.[25]

Adelle Lutz, "Urban Camouflage Clothing", Brick Couple, Costumes for the film True Stories, 1986.
  1. ^ Koda, Harold. "View: ReView, Introduction," Adelle Lutz: View: Re: View, Catalogue, London: Judith Clark Costume Gallery, 2002.
  2. ^ a b McCormick, Carlo. "Hidden Dreams Exposed," Paper, September 2002, p. 120–1.
  3. ^ James, Caryn. "Film Review; Sad Tourist Trapped In Burma," The New York Times, August 25, 1995. Retrieved February 25, 2019.
  4. ^ a b Conant, Jennet. "A Hat Is a Rose Is a Chicken," Newsweek, November 30, 1987.
  5. ^ Newman, Lenore and Jan L. Spak. "Flights of Fantasy," in Designed for Delight: Alternative aspects of twentieth-century decorative arts, Martin Eidelberg (ed.), Montreal: Flammarion, Montreal Museum of Fine Arts, 1997, p. 238–247. Retrieved February 25, 2019.
  6. ^ Poynor, Rick. "True Stories: A Film about People Like Us," in Postmodernism: Style and Subversion, 1970-1990, Glenn Adamson and Jane Pavitt (ed.), V & A Publishing, 2011. Retrieved February 22, 2019.
  7. ^ Newark, Tim. Camouflage, London: Thames & Hudson, 2007, p. 8. Retrieved February 22, 2019.
  8. ^ Stewart, Jude. Patternalia: An Unconventional History of Polka Dots, Stripes, Plaid, Camouflage, & Other Graphic Patterns, Bloomsbury USA, 2015, p. 115. Retrieved February 22, 2019.
  9. ^ Maslin, Janet. "Film: John Malkovich in 'Making Mr. Right'", The New York Times, April 10, 1987. Retrieved February 25, 2019.
  10. ^ a b Judith Clark Costume Gallery. Adelle Lutz: View: ReView, Catalogue, London: Judith Clark Costume Gallery, 2002.
  11. ^ Dailey, Martha Sherrill and Nina Hyde. "It's Surreal Thing: Scenes from an Exhibition," The Washington Post, December 13, 1987.
  12. ^ Newhouse Center for Contemporary Art. "Adelle Lutz," The Invisible Thread: Buddhist Spirit in Contemporary Art, Catalogue, Staten Island, NY: Newhouse Center for Contemporary Art at Snug Harbor on Staten Island, 2003.
  13. ^ Åman, Jan. Catalogue essay, Adelle Lutz, Under/Covered, Stockholm: Färgfabriken, 2002.
  14. ^ Färgfabriken. "Adelle Lutz, Under/Covered," Exhibition materials, Stockholm: Färgfabriken, 2002.
  15. ^ Clark, Judith. "View: ReView, Preview," Adelle Lutz: View: ReView, Catalogue, London: Judith Clark Costume Gallery, 2002.
  16. ^ Smith, Roberta. "Art Review; Caution: Angry Artists at Work," The New York Times, August 27, 2004. Retrieved February 22, 2019.
  17. ^ Harper's Magazine. "He's Back!!! Packaging Christ's Second Coming," Harper's, April 1989.
  18. ^ LaRocca, Amy. "Divine Work," The Village Voice, July 14, 2003.
  19. ^ Cite error: The named reference :0 was invoked but never defined (see the help page).
  20. ^ Hastreiter, Kim. "Outlaw Fashion," Paper, September 2002.
  21. ^ Martin, Richard. Fashion and Surrealism, New York: Rizzoli, 1987.
  22. ^ Eidelberg, Martin (ed). Designed for Delight: Alternative aspects of twentieth-century decorative arts, Montreal: Flammarion, Montreal Museum of Fine Arts, 1997. Retrieved February 25, 2019.
  23. ^ Hastreiter, Kim and David Hershkovits (eds). 20 Years of Style: The World According to Paper, New York: Harper Design, 2004. Retrieved February 25, 2019.
  24. ^ Pasternak, Ann (ed). Because Dreaming is Best Done in Public: Creative Time in Public Spaces, New York: Creative Time, 2012.
  25. ^ Metropolitan Museum of Art. Ponytail Boot, Adelle Lutz, Collection. Retrieved February 25, 2019.

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