Aesthetic Theory

Aesthetic Theory

Cover of the German edition
Author	Theodor W. Adorno
Original title	Ästhetische Theorie
Country	Germany
Language	German
Subject	Aesthetics
Published	1970
Media type	Print

Part of a series on the
Frankfurt School
Major works Dialectic of Enlightenment Eclipse of Reason Eros and Civilization Escape from Freedom Minima Moralia Negative Dialectics One-Dimensional Man Reason and Revolution The Structural Transformation of the Public Sphere The Theory of Communicative Action "The Work of Art in the Age of Mechanical Reproduction"
Notable theorists Adorno Apel Benjamin Fromm Forst Grünberg Geuss Habermas Honneth Horkheimer Jaeggi Kluge Kracauer Kirchheimer Kompridis Kuhlmann Löwenthal Marcuse McCarthy Negt Neumann Offe Pollock Schmidt Sohn-Rethel Wellmer Wingert
Important concepts Advanced capitalism Antipositivism Communicative rationality Critical theory Culture industry Dialectic Legitimation crisis Non-identity Popular culture Praxis Privatism Psychoanalysis
Related topics Cultural Marxism conspiracy theory Freudo-Marxism Marxist humanism Recognition Reification Social alienation Western Marxism
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Aesthetic Theory (German: Ästhetische Theorie) is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970. Although anchored by the philosophical study of art, the book is interdisciplinary and incorporates elements of political philosophy, sociology, metaphysics and other philosophical pursuits in keeping with Adorno's boundary-shunning methodology.^[1]

Adorno retraces the historical evolution of art^[2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.^[2]