Book of Job

Papyrus Oxyrhynchus 3522: dated to the 1st century AD, it contains part of Job 42 translated into Greek.

The Book of Job (/b/ JOHB; Biblical Hebrew: אִיּוֹב, romanized: ʾĪyyōḇ), or simply Job, is a book found in the Ketuvim ("Writings") section of the Hebrew Bible and the first of the Poetic Books in the Old Testament of the Christian Bible.[1] The language of the Book of Job, combining post-Babylonian Hebrew and Aramaic influences, indicates it was composed during the Persian period (540-330 BCE), with the poet using Hebrew in a learned, literary manner.[2] It addresses the problem of evil, providing a theodicy through the experiences of the eponymous protagonist.[3] Job is a wealthy God-fearing man with a comfortable life and a large family. God discusses with Satan (הַשָּׂטָן, haśśāṭān, 'lit.'the adversary'') of Job's piety. Satan rebukes God, stating that Job would turn away from God if he were to lose everything within his possession. God decides to test that theory by allowing Satan to inflict pain on Job. The rest of the book deals with Job's suffering and him successfully defending himself against his unsympathetic friends, whom God admonishes, and God's sovereignty over nature.

  1. ^ Hartley 1988, p. 3.
  2. ^ Greenstein, Edward L. (2019). "Introduction". Job: A New Translation. Yale University Press. p. xxvii. ISBN 9780300163766. Determining the time and place of the book's composition is bound up with the nature of the book's language. The Hebrew prose of the frame tale, notwithstanding many classic features, shows that it was composed in the post-Babylonian era (after 540 BCE). The poetic core of the book is written in a highly literate and literary Hebrew, the eccentricities and occasional clumsiness of which suggest that Hebrew was a learned and not native language of the poet. The numerous words and grammatical shadings of Aramaic spread throughout the mainly Hebrew text of Job make a setting in the Persian era (approximately 540-330) fairly certain, for it was only in that period that Aramaic became a major language throughout the Levant. The poet depends on an audience that will pick up on subtle signs of Aramaic.
  3. ^ Lawson 2004, p. 11.

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