Calligrafismo (pronounced [kalligraˈfizmo], "caligraphism") is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity and deals mainly with contemporary literary material,[1] above all the pieces of Italian realism from authors like Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini and Umberto Barbaro.[2]
- ^ Brunetta, Gian Piero (2002). Storia del cinema mondiale (in Italian). Vol. III. Einaudi. pp. 357–359. ISBN 978-88-06-14528-6.
- ^ Martini, Andrea (1992). La bella forma. Poggioli, i calligrafici e dintorni. Marsilio. ISBN 88-317-5774-1.
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