Catholic Marian music

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Mariology of the Catholic Church
Immaculate Conception by Bartolomé Esteban Murillo (c. 1675)
Overview Prayers Antiphons Titles Hymns to Mary Devotional practices Saints Societies Consecrations and entrustments Veneration
Titles of Mary Theotokos (Mother of God) Mediatrix Mother of the Church Our Lady of Good Counsel Our Lady of Mount Carmel Our Lady of Sorrows Our Lady of Victory Our Lady, Star of the Sea Queen of Heaven Queen of Peace Queen of Poland Refugium Peccatorum (Refuge of Sinners) Untier of Knots Virgin of Mercy
Prayers and hymns Angelus Fátima prayers Flos Carmeli Hail Mary Hail Mary of Gold Immaculata prayer Magnificat Mary, Mother of Grace Memorare Sub tuum praesidium Marian hymns
Devotional practices Acts of Reparation Consecration to Mary First Saturdays Rosary Seven Joys of the Virgin Seven Sorrows of Mary Three Hail Marys
Movements and societies Sodality of Our Lady Congregation of Marian Fathers Company of Mary (Montfort) Marianists (Society of Mary) Marist Fathers Marist Brothers Schoenstatt Movement Legion of Mary World Apostolate of Fátima (Blue Army) Mariological Society Our Lady's Rosary Makers Marian Movement of Priests Fatima Family Apostolate Queen of Angels Foundation
Apparitions Approved, with widespread liturgical veneration endorsed by the Holy See: Fátima Three Secrets of Fátima Guadalupe Knock La Salette Lourdes Miraculous Medal Walsingham Dowry of Mary
Key Marian feast days Mother of God (1 January) Candlemas (2 February) Annunciation (25 March) Assumption (15 August) Nativity (8 September) Holy Name (12 September) Presentation (21 November) Immaculate Conception (8 December)
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Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.

Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance, e.g. with the composition of the Ave Maria motet by Josquin des Prez. The tradition continued with a number of great composers up to the late 19th century, e.g. with Giuseppe Verdi's Ave Maria in 1880 followed by his Laudi alla Vergine Maria.^[1][2]