Dotted note

Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together.

In Western musical notation, a dotted note is a note with a small dot written after it.[a] In modern practice, the first dot increases the duration of the original note by half of its value. This makes a dotted note equivalent to the original note tied to a note of half the value – for example, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right.[1][b]

The use of dotted notes dates back at least to the 10th century, but the exact amount of lengthening a dot provides in early music contexts may vary. Mensural notation uses a dot of division to clarify ambiguities about its context-dependent interpretation of rhythmic values, sometimes alongside the dot of augmentation as described above. In the gregorian chant editions of Solesmes, a dot is typically interpreted as a doubling of length (see also Neume).

Historical examples of music performance practices using unequal rhythms include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue. Even in notation that employs dots, their performed values may be longer or shorter than the dot mathematically indicates, practices known as over-dotting or under-dotting.[2]


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  1. ^ Read 1969, p. 114, ex. 8–11; p. 116, ex. 8–18; p. 117, ex. 8–20.
  2. ^ Hefling, Stephen E. (2001). "Dotted rhythms". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.

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