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Arlette de Valois Amougou-Hanke was born in Yaoundé, Cameroon, into a large family of eight siblings. Raised in a culturally rich environment, she received a classical education, developing a strong foundation in literature, philosophy, and the arts.
In 1999, she moved to the Grand Duchy of Luxembourg with her Luxembourgish husband. Immersing herself in a new linguistic and cultural environment, she mastered both Luxembourgish and German. She pursued university-level studies in General Law for four years but ultimately discovered her true passion in French literature. In 2017, she acquired Luxembourg nationality.
Arlette de Valois Amougou-Hanke was born in Yaoundé, Cameroon, into a large family of eight siblings. Raised in a culturally rich environment, she received a classical education in Cameroon, developing a strong foundation in literature, philosophy, and the arts from an early age.
In 1999, she moved to the Grand Duchy of Luxembourg with her Luxembourgish husband. Immersing herself in a new linguistic and cultural setting, she mastered both Luxembourgish and German, while continuing her education. She pursued four years of university-level studies in General Law, although she eventually shifted her focus from legal studies to literature, where she discovered her true passion.
In 2017, after nearly two decades in Luxembourg, she acquired Luxembourgish nationality, further cementing her integration into the European cultural milieu.
Literary Career
Amougou-Hanke's literary journey began with the publication of her first collection of poems, "Mon bien-aimé" in 2007. The book received critical acclaim and marked the beginning of an extensive literary career characterized by versatility and depth.
Over the years, she has explored a variety of genres, publishing notable works such as:
L’égarée (2008) — a tragicomedy delving into human emotions and existential quests.
Mon Coeur aime (2012) — a collection of heartfelt poetic expressions.
Petites phrases d’une jeune femme sobre (2013) — illustrated quotations capturing the reflections of a young woman.
Ida (2017) — a dramatic work focused on identity and societal belonging.
Tout moi (2018) — a poetry collection celebrating self-exploration.
In her literary production, Arlette addresses complex themes such as identity crises, the interplay between tradition and modernity, the challenges of immigration, and the philosophical nature of happiness.
Her more recent works have shown a profound philosophical maturity. In December 2023, she published "Réflexions sur la notion de la charité”, a critical essay examining the true essence of charity beyond mere benevolence. In January 2024, she released "Le Journal d’Isaure", an introspective work offering a dialogue with the superego, weaving together ancestral memory and modern identity. Later in August 2024, her novel "De l’immigration ou le périple de Catherine" questioned whether the pursuit of happiness could become an existential quest, mirroring the contemporary immigrant experience.
In addition to her literary endeavors, Arlette de Valois Amougou-Hanke made significant contributions to journalism. From 2020 to 2021, she served as a senior editor for the Montreux and Vevey Gazettes under the VB/Sion editions in Switzerland. During her tenure, she authored approximately 300 articles, covering a wide array of cultural, societal, and philosophical topics. Her editorial work was distinguished by its commitment to critical thought, cultural awareness, and humanistic values.
Amougou-Hanke's body of work is deeply rooted in existential inquiry and cultural reflection. Central themes include:
Identity and Belonging: exploring personal and collective identity amidst migration and cultural shifts.
Cultural Diversity: celebrating and critically examining multiculturalism.
Societal Critique: addressing issues of charity, human rights, and systemic inequalities.
The Search for Happiness: probing philosophical and emotional questions around fulfillment and purpose.
Her writing style is poetic, contemplative, and infused with a strong philosophical undercurrent. She often utilizes introspection, vivid imagery, and dialogues between consciousness and subconsciousness to drive her narratives.
Arlette de Valois Amougou-Hanke is married, with one child and several grandchildren. Outside of her writing career, she is passionate about cultural entrepreneurship, golfing, and traveling. A firm believer in organization and leadership, she brings structure and purpose to all her endeavors, both literary and personal.
Guided by humanist principles, Amougou-Hanke advocates for free thought, equality, and cultural empathy. Her personal credo is captured in two key statements:
Citation: “The ability to think is a quality of every human being without distinction of race, gender or creed.”
Motto: “Always look for the best that’s hidden within us.”
These ideals permeate her literary works, public engagements, and personal interactions, highlighting her commitment to intellectual freedom and human dignity.
Year |
Title |
Genre |
2007 |
Mon bien-aimé |
Poetry |
2008 |
L’égarée |
Tragicomedy |
2012 |
Mon Coeur aime |
Text Collection |
2013 |
Petites phrases d’une jeune femme sobre |
Illustrated Quotations |
2017 |
Ida |
Drama |
2018 |
Tout moi |
Poetry |
2023 |
Réflexions sur la notion de la charité |
Philosophy Essay |
2024 |
Le Journal d’Isaure |
Tragedy |
2024 |
De l’immigration ou le périple de Catherine |
Romance |
Participated in numerous poetry readings and exhibitions in Luxembourg.
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