Fleischer Studios

Fleischer Studios
IndustryMotion pictures
PredecessorBray Productions
Out of the Inkwell Studios
Founded1929 (1929)
FounderMax Fleischer
Dave Fleischer
DefunctJuly 3, 1942 (1942-07-03)
FateRenamed and reorganized as Famous Studios after its acquisition by Paramount Pictures and the resignation of its founders.
SuccessorsStudio:
Famous Studios
(fully-owned subsidiary of Paramount Pictures, renamed to Paramount Cartoon Studios in 1956)
Paramount Animation
Library:
Paramount Pictures
(through Melange Pictures)
Warner Bros.
(through Turner Entertainment Co. and DC Entertainment)
(Popeye the Sailor and Superman only) Paramount Global
HeadquartersBroadway, New York City, New York, U.S. (1929–1938)
Miami, Florida, U.S. (1938–1942)
ProductsAnimated short subjects and feature films
Number of employees
Approx. 800 by 1939
ParentParamount Pictures Edit this on Wikidata
Websitefleischerstudios.com

Fleischer Studios (/ˈflʃər/) was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.

Fleischer Studios included Out of the Inkwell and Talkartoons characters like, Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and the comic character Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers' most successful characters were humans (with the exception of Bimbo, a black-and-white cartoon dog). The cartoons of the Fleischer Studio were very different from those of Disney, both in concept and in execution. As a result, they were rough rather than refined and consciously artistic rather than commercial, but in their unique way, their artistry was expressed through a culmination of the arts and sciences.[1] This approach focused on surrealism, dark humor, adult psychological elements, and sexuality. Furthermore, the environments were grittier and urban, often set in squalid surroundings, reflecting the Great Depression as well as German Expressionism.

  1. ^ Pointer, Ray (2016). The Art and Inventions of Max Fleischer: American Animation Pioneer, McFarland & Co. Publishers. Pg. 5

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