Giovanni Papini | |
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![]() Papini in 1921 | |
Born | Florence, Italy | 9 January 1881
Died | 8 July 1956 Florence | (aged 75)
Resting place | Cimitero delle Porte Sante |
Pen name | Gian Falco |
Occupation |
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Period | 1903–1956 |
Genre | Prose poetry, autobiography, travel literature, satire |
Subject | Political philosophy, history of religion |
Literary movement | Futurism Modernism |
Notable works | A Man — Finished, Gog, The Story of Christ |
Notable awards | Valdagno Prize (1951), Golden Quill Prize (1957) |
Spouse | Giacinta Giovagnoli (1887–1958) |
Children | 2 |
Signature | |
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Giovanni Papini (9 January 1881 – 8 July 1956) was an Italian journalist, essayist, novelist, short story writer, poet, literary critic, and philosopher. A controversial literary figure of the early and mid-twentieth century, he was the earliest and most enthusiastic representative and promoter of Italian pragmatism.[1] Papini was admired for his writing style and engaged in heated polemics. Involved with avant-garde movements such as futurism and post-decadentism, he moved from one political and philosophical position to another, always dissatisfied and uneasy: he converted from anti-clericalism and atheism to Catholicism, and went from convinced interventionism – before 1915 – to an aversion to war. In the 1930s, after moving from individualism to conservatism, he finally became a fascist, while maintaining an aversion to Nazism.
As one of the founders of the journals Leonardo (1903) and Lacerba (1913), he conceived literature as "action" and gave his writings an oratory and irreverent tone. Though self-educated, he was an influential iconoclastic editor and writer, with a leading role in Italian futurism and the early literary movements of youth. Working in Florence, he actively participated in foreign literary philosophical and political movements such as the French intuitionism of Bergson and the Anglo-American pragmatism of Peirce and James. Promoting the development of Italian culture and life with an individualistic and dreamy conception of life and art, he acted as a spokesman for Roman Catholic religious beliefs.
Papini's literary success began with Il crepuscolo dei filosofi ("The Twilight of the Philosophers"), published in 1906, and his 1913 publication of his autobiographical novel Un uomo finito ("A finished man").
Due to his ideological choices, Papini's work was almost forgotten after his death,[2] although it was later re-evaluated and appreciated again: in 1975, the Argentine writer Jorge Luis Borges called him an "undeservedly forgotten" author.
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