Great Renunciation

Prince Siddhārtha leaving the palace on a horse during the Great Renunciation. Deities support the hooves of the horse. Approximately 2nd century, India

The Great Renunciation or Great Departure (mahābhinikmana[1]) is the traditional term for the departure of Gautama Buddha (c. 563c. 483 BCE) from his palace at Kapilavastu to live a life as an ascetic (Sanskrit: śrāmaṇa, Pali: sāmaṇa). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language.

According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, Brahmanas predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and rāja of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārtha had a meditative experience, which made him realize the suffering (Sanskrit: duḥkha, Pali: dukkha) inherent in all existence. He grew up and experienced a comfortable youth. But he continued to ponder about religious questions, and when he was 29 years old, he saw for the first time in his life what became known in Buddhism as the four sights: an old man, a sick person and a corpse, as well as an ascetic that inspired him. Shortly after, Prince Siddhārtha woke up at night and saw his female servants lying in unattractive poses, which shocked the prince. Moved by all the things he had experienced, the prince decided to leave the palace behind in the middle of the night against the will of his father, to live the life of an wandering ascetic, leaving behind his just-born son Rāhula and wife Yaśodharā. He traveled to the river Anomiya with his charioteer Chandaka and horse Kaṇṭhaka, and cut off his hair. Leaving his servant and horse behind, he journeyed into the woods and changed into monk's robes. Later, he met King Bimbisāra, who attempted to share his royal power with the former prince, but the now ascetic Gautama refused.

Amaravati style, 2nd-century, aniconic with a riderless horse

The story of Prince Siddhārtha's renunciation illustrates the conflict between lay duties and religious life, and shows how even the most pleasurable lives are still filled with suffering. Prince Siddhārtha was moved with a strong religious agitation (Sanskrit and Pali: saṃvega) about the transient nature of life, but believed there was a divine alternative to be found, found in this very life and accessible to the honest seeker. Apart from this sense of religious agitation, he was motivated by a deep empathy with human suffering (Sanskrit and Pali: karuṇā). Traditional accounts say little about the early life of the Buddha, and historical details cannot be known for certain. Historians argue that Siddhārtha Gauatama was indeed born in a wealthy and aristocratic family with a father as a rāja. But the hometown was an oligarchy or republic, not a kingdom, and the prince's wealth and blissful life have been embellished in the traditional texts. The historical basis of Siddhārtha Gautama's life has been affected by his association with the ideal king (cakravartin), inspired by the growth of the Maurya empire a century after he lived. The literal interpretation of the confrontation with the four sights—seeing old age, sickness and death for the first time in his life—is generally not accepted by historians, but seen as symbolical for a growing and shocking existential realization, which may have started in Gautama's early childhood. Later, he may have intentionally given birth to his son Rāhula before his renunciation, to obtain permission from his parents more easily.

The double prediction which occurred shortly after the prince's birth point at two natures within Prince Siddhārtha's person: the struggling human who worked to attain enlightenment, and the divine descendant and cakravartin, which are both important in Buddhist doctrine. The Great Renunciation has been depicted much in Buddhist art. It has influenced ordination rituals in several Buddhist communities, and sometimes such rituals have affected the accounts in turn. A modified version of the Great Renunciation can be found in the legend of the Christian saints Barlaam and Josaphat, one of the most popular and widespread legends in 11th-century Christianity. Although the story describes a victorious Christian king and ascetic, it is imbued with the Buddhist themes and doctrines derived from its original. In modern times, authors such as Edwin Arnold (1832–1904) and Jorge Luis Borges (1899–1986) have been influenced by the story of the Great Renunciation.


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