Gudrun

Woodcut by Edward Burne-Jones, for William Morris' work, Sigurd the Volsung. (London: Kelmscott Press, 1898).
Kriemhild discovers Siegfried's corpse. Painting by Johann Heinrich Füssli, 1817.
Kriemhild accuses Hagen of murdering Siegfried. Painting by Emil Lauffer, 1879
Kriemhild and Gunther, Johann Heinrich Füssli, 1807
Kriemhild's Death, Karl Schmoll von Eisenwerth, 1911

Gudrun (/ˈɡʊdrn/ GUUD-roon; Old Norse: Guðrún) or Kriemhild (/ˈkrmhɪlt/ KREEM-hilt; Middle High German: Kriemhilt) is the wife of Sigurd/Siegfried and a major figure in Germanic heroic legend and literature. She is believed to have her origins in Ildico, last wife of Attila the Hun, and two queens of the Merovingian dynasty, Brunhilda of Austrasia and Fredegund.

In both the Continental (German) and Scandinavian traditions, Gudrun/Kriemhild is the sister of the Burgundian king Gunther/Gunnar and marries the hero Siegfried/Sigurd. Both traditions also feature a major rivalry between Gudrun and Brunhild, Gunther's wife, over their respective ranks. In both traditions, once Sigurd has been murdered, Gudrun is married to Etzel/Atli, the legendary analogue of Attila the Hun. In the Norse tradition, Atli desires the hoard of the Nibelungen, which the Burgundians had taken after murdering Sigurd, and invites them to his court; intending to kill them. Gudrun then avenges her brothers by killing Atli and burning down his hall. The Norse tradition then tells of her further life as mother of Svanhild and enemy of Jormunrekr. In the continental tradition, Kriemhild instead desires revenge for her brothers' murder of Siegfried, and invites them to visit Etzel's court intending to kill them. Her revenge destroys both the Huns and the Burgundians, and in the end she herself is killed.

In Richard Wagner's Der Ring des Nibelungen, Siegfried's wife is known as Gutrune. As Wagner's cycle ends with Siegfried's funeral and its immediate aftermath, it does not include her marriage to Atli/Etzel or revenge for Siegfried's death.

Some of the differences and similarities between Gudrun and Kriemhild in the Scandinavian and continental Germanic traditions can be seen in the following two stanzas taken from original sources. The first is Kriemhild's introduction in the Nibelungenlied:

And this is how Gudrun is described at the end of the Eddic poem Atlakviða:

  1. ^ Heinzle 2013, p. 10.
  2. ^ Edwards 2010, p. 5.
  3. ^ a b Dronke 1969, p. 12.

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