Homoeroticism

Saint Sebastian, by Carlo Saraceni (c1610-15), Castle Museum, Prague. The image of Sebastian pierced by arrows has regularly been described as homoerotic.[1]

Homoeroticism is sexual attraction between members of the same sex, including both male–male and female–female attraction.[2] The concept differs from the concept of homosexuality: it refers specifically to the desire itself, which can be temporary, whereas "homosexuality" implies a more permanent state of identity or sexual orientation. It has been depicted or manifested throughout the history of the visual arts and literature and can also be found in performative forms; from theatre to the theatricality of uniformed movements (e.g., the Wandervogel and Gemeinschaft der Eigenen). According to the Oxford English Dictionary, it is "pertaining to or characterized by a tendency for erotic emotions to be centered on a person of the same sex; or pertaining to a homo-erotic person."[3]

This is a relatively recent dichotomy[4] that has been studied in the earliest times of ancient poetry to modern drama by modern scholars. Thus, scholars have analyzed the historical context in many homoerotic representations such as classical mythology, Renaissance literature, paintings and vase-paintings of ancient Greece and Ancient Roman pottery.

Though homoeroticism can differ from the interpersonal homoerotic—as a set of artistic and performative traditions, in which such feelings can be embodied in culture and thus expressed into the wider society[4]—some authors have cited the influence of personal experiences in ancient authors such as Catullus, Tibullus and Propertius in their homoerotic poetry.[5]

  1. ^ glbtg: an encyclopaedia of gay, lesbian, bisexual, transgender and queer culture Archived September 1, 2007, at the Wayback Machine
  2. ^ Younger, 2005, p.80.
  3. ^ Quoted by Flood, 2007, p. 307.
  4. ^ a b Flood, 2007, p.307.
  5. ^ Younger, 2005, p.38.

© MMXXIII Rich X Search. We shall prevail. All rights reserved. Rich X Search