Iannis Xenakis

Iannis Xenakis
Xenakis in his Paris studio, c. 1970
Born
Giannis Klearchou Xenakis

(1922-05-29)29 May 1922
Died4 February 2001(2001-02-04) (aged 78)
Occupation(s)Composer, architect
Years active1947–1997
WorksList of compositions
Spouse
(m. 1953)
Children1

Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; Greek: Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, pronounced [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer.[1]

After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later.[2] Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.[3]

Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills.[4]

Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important publications. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the priory of Sainte-Marie de La Tourette, on which the two collaborated, and the Philips Pavilion at the 1958 Brussels World's Fair (Expo 58), which Xenakis designed by himself.[citation needed]

  1. ^ Harley, Dr James (28 September 2015). Iannis Xenakis: Kraanerg. Ashgate Publishing, Ltd. p. 3. ISBN 978-1-4094-2331-7.
  2. ^ Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music, p. 299, Lanham: Scarecrow Press. ISBN 0-8108-6765-6: "Xenakis settled in Paris, becoming a French citizen in 1965."
  3. ^ Gérard Pape, Musipoesc: Writings About Music, Paris: Éditions Michel de Maule, 2015, pp. 351-353.
  4. ^ "Yannis Xenakis' Polytopes: Cosmogonies in Sound and Architecture – SOCKS". Socks. 8 January 2014. Retrieved 2 June 2019.

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