Legal thriller

Legal thriller
Cultural originsUnited States of America[1]
FeaturesCourtroom,[2] equality,[3] justice,[4] lawyers[5] legal language,[6] social justice experience [7]
PopularityBritain, Australia, United States of America, Canada, Belgium, France, Germany, Italy, Spain [8]
FormatsBooks, television and films
AuthorsBrian Stevenson, Harper Lee, Scott Turow, John Grisham, Michael Connelly, Paul Levine Jilliane Hoffman, Mark Gimenez, Linda Fairstein, Marcia Clark, James Grippando, Vish Dhamija
Subgenres
Crime, thriller, mystery
Related genres
Suspense, horror
Related topics
Legal drama, social justice, films, novels, television
Courtroom aspect of a legal thriller

The legal thriller genre is a type of crime fiction genre that focuses on the proceedings of the investigation, with particular reference to the impacts on courtroom proceedings and the lives of characters.[9]

The courtroom proceedings and legal authorship are ubiquitous characteristics of the legal thriller genre.[10] In the genre, lawyers as legal professionals are featured as the supreme hero. Their actions in the courtroom affect the quality of character's lives, as they determine innocence prevailing against injustice.[11]

Many legal professionals such as judges and lawyers constitute the primary authorship of the genre, providing their own relevant experiences [12] The legal authorship experience is certified through the novel, Presumed Innocent written by the lawyer and author, Scott Turow.[13] American writers such as Harper Lee experienced her father's dealings as a lawyer.[14]

The author, John Grisham as a lawyer also contributes to the development of the legal thriller genre.[15] Legal language is also another characteristic of the legal thriller. The television shows Suits and How to Get Away with Murder embody the legal thriller, characterised by legal language.[16] Novels and television shows of the legal thriller genre have impacted education.[17] Many address complex social justice issues such as racial discrimination and the death penalty.[18]

  1. ^ Robson, Peter; Schulz, Jennifer (27 January 2017). A Transnational Study of Law and Justice on TV. Oxford: Hart Publishing. ISBN 978-1-50990-571-3. Retrieved 17 March 2021.
  2. ^ Sauerberg, Lars Ole (2016). The legal thriller from Gardner to Grisham : see you in court!. London. pp. 1–12. doi:10.1057/978-1-137-40730-6_1. ISBN 978-1-137-40730-6. Retrieved 11 May 2004.{{cite book}}: CS1 maint: location missing publisher (link)
  3. ^ White, Terry (2003). Justice Denoted: The Legal Thriller in American, British, and Continental courtroom literature. United Kingdom: Praeger Publishers. pp. 18–23. ISBN 9780313052576. Retrieved 16 May 2021.
  4. ^ White, Terry (2003). Justice Denoted: The Legal Thriller in American, British, and Continental courtroom literature. United Kingdom: Praeger Publishers. pp. 18–23. ISBN 9780313052576. Retrieved 16 May 2021.
  5. ^ White, Terry (2003). Justice Denoted: The Legal Thriller in American, British, and Continental courtroom literature. United Kingdom: Praeger Publishers. pp. 18–23. ISBN 9780313052576. Retrieved 16 May 2021.
  6. ^ Stefanie, Nerz. "Legal Language in the American TV Series "Suits": A Lexicological Analysis". Academia. Retrieved 16 March 2021.
  7. ^ Walsh, Colleen. "Just Mercy' in the criminal justice system". Harvard Gazette. Retrieved 17 April 2021.
  8. ^ Robson, Peter; Schulz, Jennifer (27 January 2017). A Transnational Study of Law and Justice on TV. Oxford: Hart Publishing. ISBN 978-1-50990-571-3. Retrieved 17 March 2021.
  9. ^ Sauerberg, Lars Ole (2016). The legal thriller from Gardner to Grisham : see you in court!. London. pp. 1–12. doi:10.1057/978-1-137-40730-6_1. ISBN 978-1-137-40730-6. Retrieved 11 May 2004.{{cite book}}: CS1 maint: location missing publisher (link)
  10. ^ Sauerberg, Lars Ole (2016). The legal thriller from Gardner to Grisham : see you in court!. London. pp. 1–12. doi:10.1057/978-1-137-40730-6_1. ISBN 978-1-137-40730-6. Retrieved 14 May 2021.{{cite book}}: CS1 maint: location missing publisher (link)
  11. ^ White, Terry (2003). Justice Denoted: The Legal Thriller in American, British, and Continental courtroom literature. United Kingdom: Praeger Publishers. pp. 18–23. ISBN 9780313052576. Retrieved 16 May 2021.
  12. ^ Sauerberg, Lars Ole (2016). The legal thriller from Gardner to Grisham : see you in court!. London. pp. 1–12. doi:10.1057/978-1-137-40730-6_1. ISBN 978-1-137-40730-6. Retrieved 14 May 2021.{{cite book}}: CS1 maint: location missing publisher (link)
  13. ^ Bourne, Michael (4 December 2013). "The Lasting Influence of Scott Turow's "Presumed Innocent"". 10 Years of The Los Angeles Review of Books. Los Angeles Review of Books. Retrieved 16 April 2021.
  14. ^ Biography.com Editors. "Harper Lee Biography". Biography. Retrieved 13 April 2021.
  15. ^ Sauerberg, Lars Ole (2016). The legal thriller from Gardner to Grisham : see you in court!. London. pp. 1–12. doi:10.1057/978-1-137-40730-6_1. ISBN 978-1-137-40730-6. Retrieved 14 May 2021.{{cite book}}: CS1 maint: location missing publisher (link)
  16. ^ Stefanie, Nerz. "Legal Language in the American TV Series "Suits": A Lexicological Analysis". Academia. Retrieved 16 March 2021.
  17. ^ Shapiro, Emily. "Harper Lee: The impact of 'To Kill a Mockingbird'". ABC News. Retrieved 18 March 2021.
  18. ^ Walsh, Colleen. "Just Mercy' in the criminal justice system". Harvard Gazette. Retrieved 17 April 2021.

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