Back Anexo:Obras de arte de la Universidad Central de Venezuela Spanish

List of artworks in University City of Caracas

List of artworks in University City of Caracas
UNESCO World Heritage Site
Artworks within the University City[a]
LocationUniversity City of Caracas, Venezuela
CriteriaCultural: (i), (iv)
Reference986
Inscription2000 (24th Session)
Wikimedia Commons has media related to Obras de arte de la Universidad Central de Venezuela.

The University City of Caracas is a World Heritage Site in Caracas, Venezuela. It is a functional university campus for the Central University of Venezuela, as well as home to 108[6] notable works of art and famous examples of creative architecture. Many works of art are modernist and mosaic. The campus was designed by architect Carlos Raúl Villanueva, who oversaw much of the construction and design work, with the artwork overseen by Mateo Manaure.

Villanueva primarily enlisted artists who were either European or had European influences – Villanueva himself had been inspired for the campus design in Paris – including members of Los Disidentes, a group of Venezuelan artists who left for Europe to break from the Mexican mural tradition.[7] Some artists did not initially want to work on the project, as they were opposed to the military dictatorship in place in Venezuela at the time, but French artist Fernand Léger encouraged them to participate by saying that "dictatorships pass but art remains"; part of Villanueva's intention was unity.[8] Latin American art scholar Monica Amor wrote that Villanueva's Synthesis of the Arts philosophy, inspired by an André Bloc approach, "advocated a strong humanist approach to urban issues of reconstruction and social healing after the devastation of World War II."[9]: 33  Amor noted that debate surrounding the dictatorship's funding of the project, and its realization in this context, persists into the 21st century.[9]: 33 

Catalan urbanist Josep Lluís Sert was involved with the Spanish pavilion at the 1937 Paris Exhibition, which was opposite the Venezuelan pavilion that Villanueva helped create; Sert's pavilion (especially the patios) as well as the ideals of the Exhibition greatly inspired Villanueva, who would become friends with Sert after the war. Sert visited the University City in the early 1950s and introduced Villanueva to Alexander Calder.[9]: 34–35 

The experience of the artwork and of the campus architecture was intended to be appreciated by moving through it, something inspired by Le Corbusier (and, in turn, Arab architecture). In the Plaza Cubierta, the center of the campus (and, at conception, Caracas), the organic forms of the winding pathways contrasts with the regular grid of its support structures, which is reflected in the artworks: curved walls support murals, breeze blocks frame design elements.[9]: 36–37  In their book Modern Architecture in Latin America: Art, Technology, and Utopia, Carranza and Lara discuss the "movements" of Villanueva's Synthesis of the Arts, and the functions of certain pieces within their spaces.

Space is known through something that moves: the object or the spectator, and walking reveals to our vision the diversity of events.

— Carlos Raúl Villanueva, quoted in Monica Amor Gego: Weaving the Space in Between[9]: 40 

Despite the philosophy of synthesis, criticism from the 1970s and the 2020s notes that not all works on the campus contribute equally as functional and artistic pieces; sculptures may not become part of the structures in the same way as murals, while some works were designed without ever seeing the campus. However, the same critics agreed that most of the works were "space definers" and as such were architectural by nature as well as artistic by design.[9]: 36 

Amor wrote that the individual artworks creating the spaces of the campus "cannot be assessed individually". She describes many of the murals on the campus as showing "repetition, discontinuity, compression and expansion, dynamism, rhythmic composition, contrasting shapes, geometric organization, and anti-hierarchical allover-ness."[9]: 37 

  1. ^ "Plano UCV". Murales UCV. Archived from the original on 16 August 2019. Retrieved 17 August 2019.
  2. ^ "Síntesis de Artes del Centro Directivo-Cultural de la UCV". Guias: Aula Magna, Sala de Conciertos, UCV. Archived from the original on 18 August 2019. Retrieved 18 August 2019.
  3. ^ Cite error: The named reference guiafau was invoked but never defined (see the help page).
  4. ^ COPRED. "Arte Guia 2". Issuu. Archived from the original on 3 May 2022. Retrieved 4 September 2019.
  5. ^ COPRED. "Guia de recorrido #3: Humanidades, Ingenieria, Arquitectura, Complejo deportivo, Jardin Botanico". Issuu. Archived from the original on 3 May 2022. Retrieved 15 December 2019.
  6. ^ ""El atleta" que Francisco Narváez eternizó en la UCV". IAM Venezuela (in Spanish). 2019-09-06. Archived from the original on 2019-10-07. Retrieved 2019-10-07.
  7. ^ Carranza, Luis E.; Lara, Fernando Luiz (2015). Modern Architecture in Latin America: Art, Technology, and Utopis. Austin, TX: University of Texas at Austin. doi:10.1215/00182168-7160688. ISBN 978-0292762978. OCLC 900709741. S2CID 149680500.
  8. ^ "Los murales y otras maravillas de la UCV". www.2001online.com. Archived from the original on 2020-09-19. Retrieved 2020-05-08.
  9. ^ a b c d e f g Amor, Monica (2023-04-04). Gego: Weaving the Space in Between. Yale University Press. ISBN 978-0-300-26068-7.


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