Lo Ta-yu

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Lo Ta-yu
Lo in 2011
Born	(1954-07-20) 20 July 1954 (age 69) Taipei, Taiwan
Occupation(s)	Singer, songwriter
Years active	1974–present
Spouses	Lee Lieh ​ ​ (m. 1999; div. 2001)​ Elaine Lee ​ (m. 2010)​
Partner	Sylvia Chang (1976-1985)
Children	1
Awards	Hong Kong Film Awards – Best Original Film Score 1990 Eight Taels of Gold 1992 The Twin Bracelets 1993 The Heroic Trio Golden Horse Awards – Best Original Score 1990 Red Dust 32nd Golden Melody Awards – Special Contribution Award 2021
Chinese name
Traditional Chinese	羅大佑
Simplified Chinese	罗大佑
Transcriptions Standard Mandarin Hanyu Pinyin Luó Dàyòu Yue: Cantonese Jyutping Lo4 Daai6-jau6
Musical career
Also known as	Luo Dayou, Law Tai-yau
Genres	Rock, Mandopop, Folk, Blues, Reggae
Instrument(s)	Vocals, guitar, piano, keyboards, bass guitar, accordion
Labels	Rock Records
Musical artist
Website	www.luodayou.net

Lo Ta-yu (Chinese: 羅大佑; pinyin: Luó Dàyòu; born 20 July 1954), also known as Luo Dayou and Law Tai-yau, is a Taiwanese singer and songwriter. During the 1980s, Lo became one of the most influential Mandopop singer-songwriters with his melodic lyrics and love songs, and his witty social and political commentary that he infused in his more political songs, often to the point that some of his songs were suppressed in Taiwan and Mainland China during the 1980s.^[1] He is recognized as a cultural icon in Taiwan, Hong Kong, and Mainland China.

Stylistically, Lo defies classification, though his contribution to the Taiwan campus folk song genre was most significant. His early music in particular shows strong folk roots, and many of his songs tap into native Taiwanese cultural influences. Some songs are reminiscent of 1950s American diner and soda shop rock, and others exhibit a 1970s lounge lizard growl. What captured the hearts of a generation, however, were his lyrics, touching on issues of life, attitudes, social responsibility, and the political problems of both Chinese Mainland and Taiwan with an underhandedly critical strain of dark humor. The lyrical style is not particularly artsy or complex, but rather conversational; the cleverness comes in the meaning, not how the words are put together.^[2]