Luminism (American art style)

Fitz Henry Lane, Lumber Schooners at Evening on Penobscot Bay, 1863, National Gallery of Art

Luminism is an American landscape painting style of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealment of visible brushstrokes. Luminist landscapes emphasize tranquility, and often depict calm, reflective water and a soft, hazy sky. Artists who were most central to the development of the luminist style include Fitz Henry Lane, Martin Johnson Heade, Sanford Gifford, and John F. Kensett.[1] Painters with a less clear affiliation include Frederic Edwin Church, Jasper Cropsey, Albert Bierstadt, Worthington Whittredge, Raymond Dabb Yelland, Alfred Thompson Bricher, James Augustus Suydam, and David Johnson.[2] Some precursor artists are George Harvey and Robert Salmon.[3] Joseph Rusling Meeker also worked in the style.[4]

  1. ^ Wilmerding, 108
  2. ^ Wilmerding, 18, 108, 120-121, 134
  3. ^ Wilmerding, 14
  4. ^ Kemp, J.R. (2016). Expressions of Place: The Contemporary Louisiana Landscape. University Press of Mississippi. p. 26. ISBN 978-1-4968-0826-4. Retrieved 2023-06-08.

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