Medea (play)

Medea
Medea
	Poster by Alfons Mucha for performance by Sarah Bernhardt in Medée at the Théâtre de la Renaissance, Paris (1898)
Written by	Euripides
Chorus	Corinthian Women
Characters	Medea; Nurse; Tutor; Aegeus; Creon; Jason; Messenger; Medea's two children
Date premiered	431 BC
Place premiered	Athens
Original language	Ancient Greek
Genre	Tragedy
Setting	Before Medea's house in Corinth

Medea (Ancient Greek: Μήδεια, Mēdeia) is an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and was first produced in 431 BC as part of a trilogy; the two other plays have not survived. The plot centers on the actions of Medea, a former princess of the kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering his new wife and her own two sons, after which she escapes to Athens to start a new life.

Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, among many other original readings of Medea, Jason and the core themes of the play.^[1]

Medea, along with three other plays,^[a] earned Euripides third prize in the City Dionysia. Some believe that this indicates a poor reception,^[2]^[3] but "the competition that year was extraordinarily keen";^[3] Sophocles, often winning first prize, came second.^[3] The play was rediscovered with Rome's Augustan drama; again in the 16th-century; then remained part of the tragedic repertoire, becoming a classic of the Western canon, and the most frequently performed Greek tragedy in the 20th century.^[4] It experienced renewed interest in the feminist movement of the late 20th century,^[5] being interpreted as a nuanced and sympathetic portrayal of Medea's struggle to take charge of her own life in a male-dominated world.^[4] The play holds the American Theatre Wing's Tony Award record for most wins for the same female lead character, with Judith Anderson winning in 1948, Zoe Caldwell in 1982, and Diana Rigg in 1994.

^ Macintosh, Fiona; Kenward, Claire; Wrobel, Tom (2016). Medea, a performance history. Oxford: APGRD.
^ Gregory (2005), p. 3
^ ^a ^b ^c Euripides (2001). "Medea", in Euripides I. David Kovacs (ed. & tr.). Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 277. ISBN 9780674995604.
^ ^a ^b Helene P. Foley. Reimagining Greek Tragedy on the American Stage. University of California Press, 1 Sep 2012, p. 190
^ Cite error: The named reference feminist was invoked but never defined (see the help page).

Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).

[1] Macintosh, Fiona; Kenward, Claire; Wrobel, Tom (2016). Medea, a performance history. Oxford: APGRD.

[3] Gregory (2005), p. 3

[auto1-4] Euripides (2001). "Medea", in Euripides I. David Kovacs (ed. & tr.). Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 277. ISBN 9780674995604.

[auto-5] Helene P. Foley. Reimagining Greek Tragedy on the American Stage. University of California Press, 1 Sep 2012, p. 190

[feminist-6] Cite error: The named reference feminist was invoked but never defined (see the help page).

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