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Mexican pop | |
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Stylistic origins | 1700s – 1790s: 1800s – 1890s: 1910s – 1920s: 1930s – 1940s: 1950s – 1960s: 1970s – 1980s: 1990s – 2000s: |
Cultural origins | United States, and Mexico (1930s) |
Other topics | |
Mexican pop is a music genre produced in Mexico, particularly intended for teenagers and young adults.
Mexico is the country that exports the most entertainment in Spanish language. Mexican pop was limited to Latin America until the mid-1990s, when an interest towards this type of music increased after Selena's, Luis Miguel's, Paulina Rubio's, Thalía's and Angélica María's debuts before the mainstream USA audience.
In the southwestern United States, Spanish guitar rhythms and Mexican musical influences may have inspired some of the music of American musicians Ritchie Valens, Danny Flores (of The Champs), Sam the Sham, Roy Orbison and later, Herb Alpert. Initially, the public exhibited only moderate interest in them, because the media attention was focused on La Ola Inglesa (British Invasion). Mexican artis of the time were Lucha Reyes, María Luisa Landín, Fernando Fernández, and Luis Pérez Meza in the 1940s. Agustin Lara is recognized as one of the most popular songwriters of his era together with Consuelo Velázquez.
In 1954 Andy Russell, relocated to Mexico where he became a star of radio, television, motion pictures, records and nightclubs. During the 1960s and 1970s, most of the pop music produced in Mexico consisted on Spanish-language versions of English-language rock-and-roll hits. Singers and musical groups like César Costa, Angélica María, Enrique Guzmán, Alberto Vázquez, Manolo Muñoz, Johnny Laboriel, Julissa or Los Teen Tops performed cover versions of songs by Elvis Presley, Nancy Sinatra, Paul Anka, Joan Baez and others. However, after the substantial success of Mexican-American guitarist Carlos Santana in the United States in the late 1960s, a large number of bands sprang up. Most of these bands sang in both Spanish and English, keeping foreign commercial exposure in mind.
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