New Deal artwork

New Deal artwork is an umbrella term used to describe the creative output organized and funded by the Roosevelt administration's New Deal response to the Great Depression.^[2] This work produced between 1933 and 1942^[2] ranges in content and form from Dorothea Lange's photographs for the Farm Security Administration to the Coit Tower murals to the library-etiquette posters from the Federal Art Project to the architecture of the Solomon Courthouse in Nashville, Tennessee. The New Deal sought to "democratize the arts" and is credited with creating a "great body of distinguished work and fostering a national aesthetic."^[3]

^ ""Copper Miner" Sculpture by R. Phillips Sanderson". University of Arizona Libraries, Special Collections. Retrieved 2022-10-02.
^ ^a ^b Legal Title to Art Work Produced Under the 1930s and 1940s New Deal Administration. U.S. General Services Administration. 2005.
^ Musher, Sharon Ann (2015). Democratic art : the New Deal's influence on American culture. Chicago: University of Chicago Press. ISBN 978-0-226-24721-2. OCLC 907924703.

[1] ""Copper Miner" Sculpture by R. Phillips Sanderson". University of Arizona Libraries, Special Collections. Retrieved 2022-10-02.

[:0-2] Legal Title to Art Work Produced Under the 1930s and 1940s New Deal Administration. U.S. General Services Administration. 2005.

[:1-3] Musher, Sharon Ann (2015). Democratic art : the New Deal's influence on American culture. Chicago: University of Chicago Press. ISBN 978-0-226-24721-2. OCLC 907924703.

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