Parallel cinema

Parallel cinema
Years active40
1952–1992 (First Wave), 1998–current (Resurgence)
LocationIndia
Major figuresSatyajit Ray, Ritwik Ghatak, Mrinal Sen, Tapan Sinha, Adoor Gopalakrishnan, Balu Mahendra, G. Aravindan, Shyam Benegal, Girish Karnad, Girish Kasaravalli, Shaji N.Karun, Buddhadeb Dasgupta, Goutam Ghose, B. Narsing Rao, Nagesh Kukunoor, Rituparno Ghosh, K. N. T. Sastry, Ram Gopal Varma, Mani Kaul, Saeed Akhtar Mirza, Ashim Ahluwalia,[1]
InfluencesIndian theatre, Bengali literature, social realism, poetic realism, Italian neorealism

Parallel cinema or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.

Inspired by Italian Neorealism, Parallel Cinema began just before the French New Wave and Japanese New Wave, and was a precursor to the Indian New Wave of the 1960s. The movement was initially led by Bengali cinema and produced internationally acclaimed filmmakers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha and others. It later gained prominence in other film industries of India.

It is known for its serious content, realism and naturalism, symbolic elements with a keen eye on the sociopolitical climate of the times, and for the general rejection of inserted song-and-dance routines that are typical of mainstream Indian films.

  1. ^ "Our ultimate guide to the 1970-80s parallel cinema gems". 5 May 2020.

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